Profiles

Vendula Chalánková

Vendula Chalánková deals with seemingly trivial things or let´s say with the banality of everyday life. When you meet her, she usually just stands still and smiles and if she does say anything, so it´s brief and in a soft voice. She usually just nods. She is incredibly polite, which makes you feel that she does not quite fit into this world and that she looks a bit lost in it. It may sound strange but her vulnerable way of communication in fact disarms almost everyone. It mostly isn´t her who sweats and feels uncomfortable. It´s hard to say why. Perhaps it´s because she sees and does things differently. She spends weeks cutting out paper and pasting visual rapid technological effects. If she can´t afford to buy modern gadgets, so she simply draws them. In her comics she transforms traditional life clichés about happiness standardized by TV production into a series of awkward and embarrassing situations. In her abstract painting the size of a living room she doesn´t even try to hide the motif of pork headcheese. For her the photovoltaic panel is a symbol of contemporary landscape. Vendula Chalánková is incredibly and painfully honest. Her work spans between „to have or to be“ and imitation seems to be her key theme.

Radek Wohlmuth

artistsVendula Chalánková
placeCzech Republic
tags
castRadek Wohlmuth, Vendula Chalánková
cameraEva Jiřička
soundEva Jiřička
editingEva Jiřička
interviewEva Jiřička, Radek Wohlmuth
translationZuzana Rousová
categoryProfiles
published20. 3. 2017
languageČesky / English
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Vendula Chalánková
Welcome to Oikos. Oikos is a house that breathes and hums. Branches grow through it, which, together with its inhabitants, keep the house running. Giants, bald mermaids, shape-shifters, crows with anthracite cloaks, Johan, inseparable twins, Erlenah, who locks the door with a chain, Ama, who knows all kinds of medicinal plants, Pragma, with problems well hidden under the carpet, Tarván with two fish tails, but also Diamon, a monster who takes on the form of our worst anxieties and fears. Alma, the author of this exhibition and book, also lives there.