Online Exhibitions 29 results

Online Exhibitions
Mario Pfeifer
On January 7, 2005, Oury Jalloh, an asylum seeker from Sierra Leone, died in a German police cell as a result of a fire. The police version of the case states that it was probably an accident caused by the detainee himself, or suicide, in connection with the ignition of a mattress made of non-flammable material to which Oury Jalloh was handcuffed and shackled.
Salka Tiziana
In the heart of Madrid a ravaged forest lays calm in the aftermath of the storm. Shepherds, sheep and dogs roam among the branches of uprooted trees. Above them, the city resounds with birdsong and underneath we hear the murmurs of the herd. Old walls, new barriers enclose this territory. At night its borders dissolve on the hilltop. Under a black sky the contours of its inhabitants emerge. The land rings out and the city glimmers. 
Sissel M. Bergh
Artist Sissel Mutale Bergh describes her latest film, Elmie (2023) – a Southern Sámi word meaning sky, air and storm – as a documentary poem and a lamentation on air, breath, birds, mountains and wind power. For several years, Bergh has followed the construction of – and opposition to – industrial windfarms at Fovsen/Fosen in the southern district of reindeer herding at ÅerjelFovsen Njaarke Sijte.
Ruta Putramentaité, Mira Gáberová, Leone Contini
The relationship of man towards land has always been a significant mover of the organization of social, cultural and spiritual life. Land is inseparably linked with our basic needs, it is the source of our nourishment, offers us a safe home and a space for the merger with the cycle of nature. Despite all this we have managed to bring this relationship to the verge of a crisis full of misunderstandings, visible in all spheres of our coexistence.
How and why the 4AM Forum for architecture and media was founded and how do its members see its management? How did their priorities change since the start, how can one finance organization, such as theirs and how do their plans and orientations evolve?
Barbora Ševčíková
Another part in NJME series focuses on question why some people found their own museums and how do they see their purpose. How does the future of a private museum look like and how does this museum differ from those financed by the state? How is this form of institution liberating and, on the other hand, what are its limits?
Vanalyne Green
Sex, Sickness and Videotape’ is a tribute to video as a medium which empowered women to make and break the rules of self-image, instead of reproducing the images that had been handed to them. Similar to Vanalyne Green’s engagement with video, the artists and writers who contributed to this project deconstruct and rebuild their practice in the response to challenges and possibilities of the current technologically mediated society.
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