satire 19 results

satire

It was a bizarre spectacle based on the lack of artistic talent of the main actors who were staging awkward aesthetics of clumsiness they found in themselves or models such as Stalin, Hitler, Miki Volek (a Czech rock'n'roll singer), Gary Glitter, The Olympic music group. Czech pop music and TV shows, our parents, Czech art historians, poets and many others. Anyone could become an object of ridicule and disgrace.
The exhibition is concerned with contemplative pieces that exist in themselves as unfolding inquiries, probes that fluidly transition from the quotidian to the exceptional utilizing technical means as a virtual haptic pathway inviting us to delve deeper, to consider and reconsider.
“Our pseudo-lives were nothing but speech bubbles. We desecrated everything. […] We ground [it all] to dust,” says Vít Soukup as the pessimist Drudge in the series Old Mates. His approach to films was similar. He made works full of ironic references to high culture and low, and enjoyed using clichés in their raw state.
Miroslav Barták(*1938) graduated from a naval academy and spent a large part of the sixties on business ships as an engineer. When he could draw in his spare time, he wasn’t so much interested in the motives of exotic lands or the peculiar physiognomy of their inhabitants. He didn’t aspire to prove his skills of capturing the outside world; he was rather interested in discovering what he could tell about it in the lines of his drawings. Quite soon he found the ideal actor for his meticulously directed scenes: a male figure, whose crucial feature was an absent mouth.
Vít Soukup shot Old Mates and The Silver Trail (1993) as two parts of an imaginary television series. Both stories are introduced by a television announcer who, in a serious tone, presents a chaotic tangle of banal interpersonal intrigue, as was the custom before genre-based socialist television series. Old Malina comes to visit his resigned friend Drudge, who denounces the vanity of life as a former member of the “coyote” generation of the nineties, deconstructed by postmodernism.