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Swiss architecture theorist Philip Ursprung will have a dialogue with French architect Anne Lacaton, a Pritzker Prize winner from 2021. They will discuss forms of freedom in architecture and selected projects of the renowned studio Lacaton & Vassal.
Former Dutch government architect Liesbeth van der Pol lead the discussion together with architect Viktória Mravčáková from the Slovak organization Spolka. They discussed the durability and if the architecture today lead or do not lead to sustainable environment.
The strategies used by art in public space include a broad range of artistic approaches. Art can show us more environmental and ethical ways of treating one another. It can offer an opportunity for collective participation and self-expression, for reflecting on history, and for community dialogue. It can influence our social, spatial, and political topologies by promoting new social models or designing and improving the physical infrastructure. However, it can also legitimize economic or political interests that are not beneficial to the general public.
How do bodies queer at the molecular level? How is this queering inextricably tied to industrial capitalism? And is there a way out of capitalist ruins, one that has been further exacerbated by the pandemic?
Permanent change is the only constant in life, claimed already Heraclitus, and today’s reality seems to confirm his vision of a world in flux. Architects therefore try to distinguish between what appears lasting in their discipline and what is transient and fleeting. But can we speak of metamorphosis as the “essence” of architecture? Can the never-ending cycles of transformation ensure the regeneration of architecture after cycles of crisis?
We know and repeatedly analyze a host of issues with commercial social media and digital labour, but little attention is paid to efforts at building alternatives, such as community-run social media and other forms of de-platformization.
Against the totality of networks and corporately owned social media, what are workable strategies and ethical approaches that allow for alternative ways for our social life to emerge?
In her work, Cornaro uses found objects imbued with symbolic potential or emotional value, which she presents in different types of display and media to reveal the subtle shifts of meaning provoked by processes of reproduction and translation.
Borrowed from domestic, decorative or functional contexts, these artefacts are often linked to Western culture as a means of power, their combination and arrangement in the artist’s work invites spectators to question the relationships between systems of representation and our understanding of the world.
In February 2019, documenta 15 issued a press release announcing the names of the artistic directors for the next edition of the world’s largest exhibition of art. The announcement included two historical firsts: The exhibition will not be organized by an individual as in the past, but by a collective (and, what is more, an artists’ collective), and this will be the first time since the exhibition’s founding in 1955 that it will be curated by representatives of the Asian continent.
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