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American curator Bojana Coklyat describes her own experience with approach to people with disabilities in the Czech Republic. During her one-year stay in the Czech Republic, Coklyat carried out research into our gallery environment. The presentation focuses on the rights of people with disabilities and comments on the effort of our galleries and museums to create programs for visitors with all kinds of disabilities.
In the lecture, I would like to address the issue of the labour of the artist from the perspective of the feminist artistic work and discuss, how already from the end of the 1970s feminists artists engaged with the issues of the flexible and precarious work, the issues that are also so pertinent in the labour of the artist today. From the perspective of those artists, the exploration of labour opened new dimension how to understand and reflect upon labour of female artist and her emancipated life.
Since 2017, 51N4E is part of the incubation of new use in the monofunctional Brussels’ North District. Together with others, they housed for two years in the emblematic WTCI & II towers and currently in the nearby CCN building. In parallel, they were chosen as architect for the new project of the ZIN project, an adaptive reuse project turning the monofunctional WTC towers into a mixed-use development.
The outward appearance of Olowska’s female subjects is equally as important as the historical memories interwoven seamlessly throughout her collages and paintings. Olowska’s treatment of her subject’s materialization acts as a direct display of the spirit of the individual, which is likely to be contrasted against a uniformed surrounding reminiscent of life experienced behind the iron curtain.
Kader Attia deals with colonial and post-colonial history and sensitively unfolds the complicated and “imbalanced” relationships between the Western and non-Western world and their mutual cultural, political, social, and technological exchange. One of his interests is architecture and the setting it creates with its spatial and political dimension. Using modern architecture as a critical example of an – often – malfunctioning living environment is an occurring subject of Attia’s work.
Rotor is a cooperative design practice that investigates the organisation of the material environment. They develop critical positions trough research and design. Besides projects in architecture and interior design, they also produce exhibitions, books, economic models and policy proposals. Rotor was founded in 2005. Today, a core of about a dozen long-term collaborators sets the agenda of the group.
Ideally architecture is not about fixing activities, fluxes or programs, or worse, about solving spatial problems. On the contrary, it is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation in time, of a programmatic conflict. It is about dealing with uncertainty, about enabling different and unforeseen scenarios. In that sense, architecture and urbanism are not opposed disciplines with different outcomes, but similar mediators, on different scales and in different degrees of complexity, with the same goal of enabling life.
The mini-symposium “Bauhaus and Functionalism” examines the reception and interpretation of the emergence of Functionalism in Czechoslovakia in the interwar period and connections with Bauhaus in Germany. The leading theorist of the modernist avant-garde Karel Teige and his teaching at the Bauhaus are ideal examples of networking between these countries.
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