Profiles 384 results

Profiles
Nikola Brabcová
Her activities are interwoven with a complex web of collective bodies of various transient groups or platforms. Since 2009 she has been a member of A.M.180., a team already behind the cult festival of contemporary music Creepy Teepee, taking place every year in the medieval landscape of Kutna Hora. Like the festival itself, is not just a spectacle of monolithic music projects, but also a place for performances and visual arts, as well gallery A.M.180, where Timková works as co-curator, is a place of hybrid cultural activities.
D`Epog
They look at D'EPOG, D'EPOG looks at them. They are peeking together. It is open to participation, it likes to collaborate, it invites many artists from different disciplines. It holds workshops every summer. It is not afraid of anyone and anything; when it is afraid, it shares and overcomes its fear. It's still working on itself. It is non-transmissible although contagious. It is rare and ordinary, it is non-instantaneous and it is always fully living in the present, it is love, freedom, joy, surprise, endurance test, therapy, shared hyperempathy, reptile fantasy, livefull kid, endless party. It's WOW.
Nikola Brabcová, Barbora Švehláková, Tereza Jindrová + 1 more
Václav Magid is an artist, theoretician, curator and, last but not least, a bass player, whose activities often intertwine aspects from these close areas. As an artist on strong theoretical foundations, his curatorial projects are often conceived as an extensive artistic or theoretical project, and in his artistic work, visuality meets music.
Bartosz Flak
Postmortem photography – the past tradition of depicting corpses of deceased people immediately before their funeral, has left behind thousands of incomprehensible, obscure and deeply intimate pictures, easy to find in today’s family archives, flea markets and on piles of discarded waste. On the occasion of Bartosz Flak´s current essay collection, he would like to present the topic of Polish postmortem photography and literary approaches towards found photographs.
Tomáš Uhnák
The number of fields and trends Tomáš Uhnák devotes his attention to is misleading. In reality we can discover intersections and a „specialization“ of its kind, which is based on „expert generalism“, to use his own term. In other words in an effort aimed at intentional, conscious generalization and interconnection of different fields of interest. This is connected with constant negotiating related to the organization of different regimes of changing the world.
Erik Vilím
Erik Vilím (born 1990) is an aesthetist and curator. From 2017 to 2019 he completed his doctoral studies at the Institute of Literary and Artistic Communication at the Constantine the Philosopher University in Nitra. His most recent artwork is called Meditativeness of Expression in Visual Art.
Detu Jincharadze, Mariam Natroshvili
A key element of their art practice is a text, written “off the page”. With words and sentences artists give titles to the places to reveal what is invisible. Duo are founders of the museum on call – Museum of Contemporary Art Tbilisi. Recently they have founded platform of words – Frequently asked questions – that involves all kinds of text-related formats.
Gvantsa Jishkariani
Gvantsa Jishkariani (born 1991) is currently based in Tbilisi. In 2013 Jishkariani and Eliso Kirvalidze founded the first magazine about Georgian contemporary arts and design scenes (gargar.ge). In 2017, alongside Nata Kipiani, Jishkariani founded the Patara Gallery in an underpass shop in Tbilisi, which is a space for experimental, hitherto unpresented art and for game-changing young artists.
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