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The ongoing Stockholm series Existential Housekeeping at the HIT Gallery is guided by the path of coconut kinhin to retail gallery living rooms, dressed in seasonal Shutterstock monochrome. The paintings here are not stretched on a blind frame, but with a rope loop. The limp white fabric hand in the space is not a discarded glove, but a precisely hung existential necessity. Nik's honest handiwork is not born on canvas, but on a sewing machine. The hypertext message can be read from small reliefs.
