Profiles

Köken Ergun

Köken Ergun(born 1976, Istanbul) is a Turkish artist working in film and installation. His films often deal with communities that are not known to a greater public and the importance of ritual in such groups. Ergun usually spends long time with his subjects before starting to shoot and engages in a long research period for his projects. He also collaborates with ethnographers, historians and sociologists for publications and lecture series as extensions to his artistic practice.

Having studied acting at the İstanbul University, Ergun completed his postgraduate diploma degree in Ancient Greek Literature at King’s College London, followed by an MA degree on Art History at the Bilgi University. After working with American theatre director Robert Wilson, Ergun became involved with video and film. His multi-channel video installations have been exhibited internationally at institutions including Palais de Tokyo, SALT, Garage MCA, Stedelijk Museum Bureau Amsterdam, Protocinema, KIASMA, Casino Luxembourg, Para-Site and Kunsthalle Winterthur. His films received several awards at film festivals including the “Tiger Award for Short Film” at the 2007 Rotterdam Film Festival and the “Special Mention Prize” at the 2013 Berlinale. Ergun’s works are included in public collections such as the Centre Pompidou, Stadtmuseum Berlin and Kadist Foundation.

website of the artist –http://www.indexofworks.com/

artistsKöken Ergun
tags
castErgun Köken
cameraDalibor Knapp
soundFabiana Mertová
editingDalibor Knapp
interviewDalibor Knapp
categoryProfiles
published13. 1. 2014
languageČesky / English
embedlink icon
arrow down
related
Köken Ergun
Millions of people have fled Ukraine to escape the war, many of them artists, curators, and other cultural professionals. Various initiatives and organization networks were created to help them, and a lot of art institutions and residence programs accommodated their plans to suit them.
On January 7, 2005, Oury Jalloh, an asylum seeker from Sierra Leone, died in a German police cell as a result of a fire. The police version of the case states that it was probably an accident caused by the detainee himself, or suicide, in connection with the ignition of a mattress made of non-flammable material to which Oury Jalloh was handcuffed and shackled.