Reports

LAWRENCE WEINER: TAKEN FROM THE WIND AND BOLTED TO THE GROUND

Lawrence Weiner (b. 1942) was famously one of three New York artists who dared to formulate a new kind of art in the late 1960s. The work produced by Weiner, Robert Barry, and Sol LeWitt at this time laid the foundations for today’s conceptual art. Over the course of the 1960s, Weiner explored several kinds of new articulation using image, object, and performance, finally deciding in 1968 to reduce his art to textual formulations. For his exhibition in České Budějovice, Weiner produced an original text-based installation with the English original displayed alongside its Czech translation – proof of the immense value he places on communicating with his viewers and of the extent to which he regards them as real partners in art.

artistsLawrence Weiner
curatorsMichal Škoda
placeDům umění České Budějovice
tags
castLawrence Weiner
cameraMartin Bražina
soundMartin Bražina
editingMartin Bražina
interviewMichal Škoda
categoryReports
published24. 5. 2010
languageČesky / English
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LAWRENCE WEINER: TAKEN FROM THE WIND AND BOLTED TO THE GROUND
For over a century, the factory in Střekov has influenced the structure of the city and the quality of life of its inhabitants. During the period of industrial development, Johann Schicht and his descendants built civic amenities in the city – a health center, spas, nurseries, a library, and residential buildings for their workers. After the company was nationalized, production continued and continued to employ a large number of newly settled residents. The national company Setuza also brought its employees together and enabled them to participate in "extracurricular activities," primarily in events organized by the Revolutionary Trade Union Movement, which included the organization of International Women's Day celebrations, St. Nicholas Day gifts, and children's camps.