Reports

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Slovak painter František Demeter is interested in the possibilities and limits of hanging paintings, of painting as such. At the exhibition in the SPZ gallery, he deconstructs his large-scale painting installation entitled "Canvas on an Easel" (2014) and responds directly to the gallery space. Is painting flat? Is painting static? Is painting canvas? How does painting function in space and what frames it? Provocative questions without clear answers lead Demeter to further steps in dealing with the problems of painting and the image. For Demeter, painting is a process of layering, adding, and removing material. Viewers become actors in his installation.

Gabriela Kisová

artistsMagdalena Kwiatkowska, František Demeter
placeGalerie SPZ
tags
castRobert Šalanda, František Demeter
cameraRadim Labuda
soundRadim Labuda
editingRadim Labuda
interviewRadim Labuda
translationPalo Fabuš
categoryReports
published21. 2. 2015
languageČesky / English
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How exactly does the selection and evaluation of artists take place in the context of art awards and, where applicable, evaluation and recognition at art colleges, exhibitions, and other projects? How relevant or "objective" is this selection and evaluation? These are long-discussed questions that have been raised even more intensely in recent years, when the climate surrounding traditional models of awarding art prizes has been changing dynamically in Czechia and abroad, and questions of the forms and ethics of cooperation, care, support, sustainability, etc. are being discussed more and more frequently.