Reports

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Slovak painter František Demeter is interested in the possibilities and limits of hanging paintings, of painting as such. At the exhibition in the SPZ gallery, he deconstructs his large-scale painting installation entitled "Canvas on an Easel" (2014) and responds directly to the gallery space. Is painting flat? Is painting static? Is painting canvas? How does painting function in space and what frames it? Provocative questions without clear answers lead Demeter to further steps in dealing with the problems of painting and the image. For Demeter, painting is a process of layering, adding, and removing material. Viewers become actors in his installation.

Gabriela Kisová

artistsMagdalena Kwiatkowska, František Demeter
placeGalerie SPZ
tags
castRobert Šalanda, František Demeter
cameraRadim Labuda
soundRadim Labuda
editingRadim Labuda
interviewRadim Labuda
translationPalo Fabuš
categoryReports
published21. 2. 2015
languageČesky / English
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For over a century, the factory in Střekov has influenced the structure of the city and the quality of life of its inhabitants. During the period of industrial development, Johann Schicht and his descendants built civic amenities in the city – a health center, spas, nurseries, a library, and residential buildings for their workers. After the company was nationalized, production continued and continued to employ a large number of newly settled residents. The national company Setuza also brought its employees together and enabled them to participate in "extracurricular activities," primarily in events organized by the Revolutionary Trade Union Movement, which included the organization of International Women's Day celebrations, St. Nicholas Day gifts, and children's camps.