Profiles

Olga Dimitrijević

Olga Dimitrijević, born in 1984, is (still) a Yugoslavian writer and critic. With the Dramaturgy diploma at Faculty of Dramatic Arts in Belgrade and finished Alternative course in Women’s studies, her film and theatre reviews were running through Vreme, Teatron, Yellow Cab, Popboks and few other magazines. She participated in many international workshops dealing with arts, theory and gender studies. Amongst her published works is also an essay ”It’s all quiet, dear, nobody’s a queer” about queer motifs in Serbian movies and she defended her MA theses “The body of the Female Folk Singer: Constructions of National Identities in Serbia after 2000” at Gender Studies at Central European University, Budapest, in 2009. Her play ”Boarding School” was staged in Dadov Theater in Belgrade, and ”The Folk`s Play” was premiered at 1st Loud & Queer IDAHO Week Festival, also in Belgrade. Her play ”Workers Die Singing” won Heartefact Fund contest for the best contemporary socially-engaged dramatic text in the Serbian language and in 2012 she received the “Sterija“ award for the same text.

http://nova-drama.org.rs/olga-dimitrijevic/

artistsOlga Dimitrijević
place_Neurčené místo
tags
castOlga Dimitrijević
cameraMiloš Miletić
soundMiloš Miletić
editingMirjana Radovanović
interviewMirjana Radovanović
categoryProfiles
published9. 3. 2015
languageČesky / English
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Olga Dimitrijević
Permanent change is the only constant in life, claimed already Heraclitus, and today’s reality seems to confirm his vision of a world in flux. Architects therefore try to distinguish between what appears lasting in their discipline and what is transient and fleeting. But can we speak of metamorphosis as the “essence” of architecture? Can the never-ending cycles of transformation ensure the regeneration of architecture after cycles of crisis?