Profiles

Olga Dimitrijević

Olga Dimitrijević, born in 1984, is (still) a Yugoslavian writer and critic. With the Dramaturgy diploma at Faculty of Dramatic Arts in Belgrade and finished Alternative course in Women’s studies, her film and theatre reviews were running through Vreme, Teatron, Yellow Cab, Popboks and few other magazines. She participated in many international workshops dealing with arts, theory and gender studies. Amongst her published works is also an essay ”It’s all quiet, dear, nobody’s a queer” about queer motifs in Serbian movies and she defended her MA theses “The body of the Female Folk Singer: Constructions of National Identities in Serbia after 2000” at Gender Studies at Central European University, Budapest, in 2009. Her play ”Boarding School” was staged in Dadov Theater in Belgrade, and ”The Folk`s Play” was premiered at 1st Loud & Queer IDAHO Week Festival, also in Belgrade. Her play ”Workers Die Singing” won Heartefact Fund contest for the best contemporary socially-engaged dramatic text in the Serbian language and in 2012 she received the “Sterija“ award for the same text.

http://nova-drama.org.rs/olga-dimitrijevic/

artistsOlga Dimitrijević
place_Neurčené místo
tags
castOlga Dimitrijević
cameraMiloš Miletić
soundMiloš Miletić
editingMirjana Radovanović
interviewMirjana Radovanović
categoryProfiles
published9. 3. 2015
languageČesky / English
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Olga Dimitrijević
Symposium wants to reflect the current cultural and political situation characterized by the rise of nationalistic politics, populism, Euro-scepticism and anti-immigration attitudes in Central Europe from the perspective of contemporary art and theory. This tendency can be observed not just locally but in the whole of Europe. We will foster an interdisciplinary exchange of ideas discussed in a group of art historians, sociologists, philosophers, and art theoreticians.
Since 2017, 51N4E is part of the incubation of new use in the monofunctional Brussels’ North District. Together with others, they housed for two years in the emblematic WTCI & II towers and currently in the nearby CCN building. In parallel, they were chosen as architect for the new project of the ZIN project, an adaptive reuse project turning the monofunctional WTC towers into a mixed-use development.
In The Shattered Epistemologist, Žák collaborates with the charismatic Berlin-based German-Beninese dancer Meïmouna Coffi. Working with a script by Žák, Coffi has created an improvised dance choreography based, among other things, on the physical gestures we use when we operate digital equipment. A collage of dance sequences and blurry, abstract footage – is a visual-poetic metaphor, accompanied by a subjective verbal and text-based commentary that places the fictitious situations within a real and specific context.