What positions can viewers take at the exhibition, and in what positions are the exhibited objects located? The methods specific to Tereza Fišerová and Evžen Šimer remain recognizable, but their authorship is no longer clear. This leads to the definition of different positions within the general possibilities of the exhibition. The result is a collection of objects whose (non)use one may or may not discover. The position of the work becomes unclear, the position of the viewer uncertain.
