“The right to be filmed”: Emancipation through technique and its dark sides in Benjamin’s The Work of Art in the Age of its Technical Reproduction.
Massimo Palma, Rome, 1978, graduated Philosophy at the University “La Sapienza” in Rome. Holds PhD from the European School of Advanced Studies, Naples. Cooperates with University “Suor Orsola Benincasa”, Naples, from 2005.
Published books: Benjamin and Niobe. Genealogy of ‘bare life’, 2008, Study on Eric Weil, 2008, Politics and Right in Kojève, 2012.
