Profiles

Interviews about sound 10 - About Radiocommunities

Born in 1955, studied history of art and aesthetics at the Faculty of Philosophy of Charles University (1974-80). He is concerned with history of art in connection with technology, sound art, social context of culture and technology, history of cybernetics, locative media and collaborative community projects.

He initiated and worked on the multimedia project on concepts of depicting and instruments of learning Orbis Pictus Revised for ZKM Karlsruhe (1991-1995). Curator of the programme Mediaartlab at the Soros Center of Contemporary Art (2000-2003). Co-author of the project Periferie (Outskirts), (2004-2006). He maintained the experimental communication network – radiojeleni.cz and Lemurie.TAZ (2000 – 2007). Since 2004 he has worked at the Film and TV School of the Academy of Performing Arts in Prague. FAMU. He occasionally publishes and co-operates with the Czech Radio. Since 2008 he has been working as a curator in Gallery Školská 28. Since 2007 he has also taken part in the interdisciplinary project Institute of Intermedia.

In the series of thirteen audio-interviews recorded during the autumn 2013 Johana Švarcová spoke to artists who use in different ways „the non-visual element“ – sound. For some of the artists that she addressed, working with sound, sound art, development of instruments (hardware and software), radio art or sound installations have become their major field of interest. Other artists deal with sound or sound track (e.g. video) in their own specific ways.

artistsMiloš Vojtěchovský
place_Neurčené město
tags
castMiloš Vojtěchovský
soundJohana Švarcová
editingJohana Švarcová
interviewJohana Švarcová
translationZuzana Frantíková
playlistsInterviews about Sound Art
categoryProfiles
published29. 9. 2014
languageČesky / English
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Interviews about sound 10 - About Radiocommunities
The program of the gallery should focus - the same as the program of similar galleries e.g. Gallery am180, etc, 35 m2 - primarily on students of art schools and recent graduates, but also on young artists and artists of any age as long as they have “a young mind”.
The number of fields and trends Tomáš Uhnák devotes his attention to is misleading. In reality we can discover intersections and a „specialization“ of its kind, which is based on „expert generalism“, to use his own term. In other words in an effort aimed at intentional, conscious generalization and interconnection of different fields of interest. This is connected with constant negotiating related to the organization of different regimes of changing the world.