English CC 212 results

English CC
Gábor Palotai
Reflecting Gábor Palotai's expanded understanding of graphic design, in his consistently formulated oeuvre, besides conventional formats and media, other, hardly classifiable or less common genres are present; such as conceptual photography, graphic design novel, printed textiles, non-narrative digital motion pictures or even public plaques.
Kateřina Konvalinová’s video Corrective Relations: Bad Trip is inspired by the altered state of consciousness, new age mysticism and a phenomenon of the so-called normative event, meaning a strong personal experience that profoundly transforms the way we reflect the world and ourselves.
Nikola Brabcová
Although Tomáš Knoflíček is an art historian specializing in Medieval art and teaches at the Faculty of Fine Arts at the University of Ostrava, he is also well-known for his versatile projects dealing with contemporary art and music. He is primarily concerned with the role of art in society, above all its communication potential in public space.
Barbora Klímová
In the long term the author focuses on several related topics: live art and the possibilities of its mediation; communities emerging around artistic activities of selected artists and through their work; she is interested in motives and personal memories of artists; she focuses on overlooked or difficult to grasp aspects of local cultural history, mostly in Moravia during the normalization era.
Horváth "Byron" Balázs, András Rényi
Living Memorial is a counter-memorial initiated by the public and a grassroots social movement. It is a series of demonstrations since March 2014 based on participation and public discussions in the public space, organised by civilians against the Memorial for the Victims of the German Occupation of Hungary.
Jan Boháč
At present Jan Boháč is a doctoral student in the studio of sculpture led by Edith Jeřábková and Dominik Lang at the Academy of Arts, Architecture and Design in Prague. His work deals with topics related to communication, speach, messages and possibilities of understanding,which have been present in his work for a long time and are closely related to his job of an emergency call handler.
Milan Mikuláštík
Milan Mikuláštík can hardly be defined solely as a curator. He is well- known above all as a distinctive artist, member of the duo MINA (together with Jan Nálevka) and the group Guma Guar, which he co-founded in 2003. His cooperation with this group as well as his own works – often critical and dealing with political structures of the globalized world – later lead to a similarly focused curator´s work.
Ladislava Gažiová
Ladislava Gažiová is a painter, curator and activist from Slovakia and has been living in Prague for some years. Her early work is characterized by the inspiration of graffiti, using of stencils and sprays, and work with social topics. In recent years, however, Gažiová has been focusing on curatorial work, in which social themes, particularly the topic of the Roma minority, are at the heart of her work.
Nikola Brabcová, Tereza Jindrová, Tereza Stejskalová + 1 more
Tereza Stejskalová is one of the most prominent feminist and critical voices on the Czech art scene. At present, she works as a curator in the initiative tranzit.cz and in the long term focuses on art critique.
As a curator, Stejskalová often works through postcolonial and feministic prism and her curatorial practice is typically an outcome of a long term research.
Balázs Antal, Roland Farkas, Tibor Horváth + 2 more
"The aim of the National Arts Foundation was to: support and set an example for the acquaintance of all social layers and cultural circles to the Hungarian National Art, a knowledge if absent makes it impossible to get a real picture of the Hungarian Nation and Hungarian Culture - all this carried out with a respect of duty, freedom of speech and artistic freedom in the name of a brighter future!"
Pavel Jestřáb
The title Distressed refers not only to desperate working conditions and the condition of the workers, but maybe even to one actual product of textile- the sought after and fashionable „distressed denim". Jeans that are supposed to look used and worn out. In some sort of twisted logic people in rich countries, from where textile factories have been pushed in the competition for the cheapest labour, wear ripped jeans. They uncousciously show the true character of the conditions of its production. As if they were transparents of the impoverished, hung on the naked bodies of the narcissists of the richer part of the worlds.
Kakalík, Ivan Mečl
The „feature“ film Floodlit Death was made in 2000 by Ivan Mečl and Kakalík (David Kalika) in the production of TeleDVision of the Divus publishing house. Actors and mostly visual artists came from the Divus circle. The film shows the Prague ferocity in the 90ies with a typical period background – advertising agencies, mafia and the Persian Gulf War veterans. Not only the main character of a detective cannot deny the affinity to Vít Soukup's films.
Tereza Severová, Tereza Velíková
The program of the gallery should focus - the same as the program of similar galleries e.g. Gallery am180, etc, 35 m2 - primarily on students of art schools and recent graduates, but also on young artists and artists of any age as long as they have “a young mind”.
Lucie Svobodová
An important topic in Lucie Svobodová's recent work is also the technical obsolescence of audiovisual media and formats, which is also led to her revision of her older works. The resulting reconstructions that Svobodová creates with the help of new technologies, not only touch the current question of archiving related works, but also open a discussion about the extent to which the pioneering works of Czech animation and video art are interesting for today's wider audience.
Ondřej Doskočil
Ondřej Doskočil knows the weight of inherited political layers of the black metal genre as well as of the problems contained in musealisation and sensation craving colonization of subcultures by marketing ideology. As an insider and a musician he can also distinguish, untangle and give voice to the symbol systems inside of this extreme metal subgenre that would otherwise not speak to uninvolved people at all, or that would not even be heard over the all-encompassing noise. The format of the mobile phone shot "exhibition walkthrough" could confuse while detecting what is the medium he refers to.
Jiří Žák
In The Shattered Epistemologist, Žák collaborates with the charismatic Berlin-based German-Beninese dancer Meïmouna Coffi. Working with a script by Žák, Coffi has created an improvised dance choreography based, among other things, on the physical gestures we use when we operate digital equipment. A collage of dance sequences and blurry, abstract footage – is a visual-poetic metaphor, accompanied by a subjective verbal and text-based commentary that places the fictitious situations within a real and specific context.
Tomáš Mašín
The structure of the Tamagotchi video is based on the alternation of simple animations and texts. The animations remind us of early video games or simple computer games. For the texts he used the Chicago typeface which was designed for Apple Computer and was used between 1984 and 1997 in the operating system user interface. Unlike the main stream of Czech video making in the mid- 1990s, mostly based on performative elements or artistic unusualness, Mašín´s approach is radically different not only in terms of aesthetics but also conception.
Václav Magid
The name Gallery 207 is a very down-to-earth name since it comes from the number of the room at the Academy of Arts, Architecture and Design where the gallery was located for five years (in October 2013 it moved to room number 405 but its name remained the same). Behind the same door we can find the Studio of intermedia confrontation.
Radosavljevic Vasiljevic Darka
When do ethics become more important than aesthetics? How to believe in a utopia that art can heal and change the world? Can a cooperative movement save the world from a disaster? These are the questions with which a group of artists have been grappling for over 20 years, resisting the political and social environment in Serbia by way of subversive artistic practices.
Lukáš Prokop
Artworks by Lukáš Prokop exceed simple categorization, as his work oscillates among various media: he deftly connects his work with video, graphic imaging, sculpture, photography, textile, writing or digital printing. By actively thematizing creative technological processes, Prokop’s work also intentionally problematizes his own authorial position as the sole producer of the artistic content/work.
Jakub Adamec
Contemporary curating has undergone changes. From efforts to build distance and protect a balanced reflexive position it has shifted towards empathy, cooperation and attempts to dehierarchize. Naturally, this is not always the case, but Jakub Adamec is a good example of the fruit that this type of curatorial work may bear.
Lizaveta Hridzyushka, Šimon Kadlčák, Alex Sihelská + 4 more
In the poetics of identities, it is important to return to a certain point of zero, which is also a breaking point. My self is breaking through certain limitations and constantly fighting against itself. It is always in the process of becoming, and this process is always accompanied by a certain disjointedness. I am nobody and at the same time I am everybody. I belong to the anywheres, to those who are at home everywhere and nowhere at the same time. I don’t know if that is a reason to be sad.
Tomáš Uhnák
The number of fields and trends Tomáš Uhnák devotes his attention to is misleading. In reality we can discover intersections and a „specialization“ of its kind, which is based on „expert generalism“, to use his own term. In other words in an effort aimed at intentional, conscious generalization and interconnection of different fields of interest. This is connected with constant negotiating related to the organization of different regimes of changing the world.
Marie Lukáčová, Anna Remešová
The video of Milena's song works within the theoretical background of contemporary feminist thinking, namely with the legacy of cyberfeminism, which was formulated in the early 1990s by British feminist and cyberculture theorist Sadie Plant. Cyberfeminism grants emancipatory power to modern technology, but only as long as all people can access it, regardless of their class status, religious beliefs, cultural identifications, sexual orientation and/or gender.
Nikola Brabcová, Tereza Jindrová, Irena Lehkoživová + 4 more
VI PER Gallery focuses on architecture in the broadest sense, together with its relations and points of intersection with contemporary art, urbanism, design and media, as well as the political, legal, social, economic and ecological contexts which help to shape architecture and the built environment.