sound 154 výsledků

sound

The artistic team is meeting in the underground space to explore the psychoacoustic attributes of sound, and the physical limits and resonance properties of the human body; the use of music during rituals and religious ceremonies, and the possibility of connecting occultism, music, and sound as a means of communication, meditation and spiritual work.
The international exhibition Beyond the Sound presents a contemporary approach to the specific and lively artistic field of sound art. Sound is presented not as an independent aesthetic form, but as a medium used to explore and reveal phenomena that are often unrecognisable to the eye.
By dissolving boundaries, cultural constructs, nationalities, taxonomies, and skin, we transform old paradigms of human/non-human, toxicity/purity, and living/dead into permanent cooperation with the foreign. After all, all boundaries are only transitional spaces where matter morphs and theorizes a new existence.
How exactly does the selection and evaluation of artists take place in the context of art awards and, where applicable, evaluation and recognition at art colleges, exhibitions, and other projects? How relevant or "objective" is this selection and evaluation? These are long-discussed questions that have been raised even more intensely in recent years, when the climate surrounding traditional models of awarding art prizes has been changing dynamically in Czechia and abroad, and questions of the forms and ethics of cooperation, care, support, sustainability, etc. are being discussed more and more frequently.
Improvisation is based on Rasa (Rasa - Indonesian term for feeling) - free musical improvisation using feelings - the inner sense of Rasa. Exercises in experimental music and free music in composition based on Rasa, using or creating objects as media that produce sounds from materials that are all around us, such as waste materials.
Life on Earth has gone through some four billion years of evolution and has always already been together, intertwined with a network of intimate relationships. We all share a common ancestor, we all need the same compounds to live, and our structure is made with the same building blocks, we all share common understanding of “substance semiotics”.
The objects are metal structures of various shapes woven with yarn, which the artists hand-dyed using different types of tea. They use weaving or scrubbing techniques, which, incidentally, most of us know primarily as half-forgotten craft practices. Their focus corresponds to the increased interest of contemporary artists in materials and technologies such as textiles, ceramics, and glass, which have long been neglected. Julia and Barbora, however, approach textiles without any obvious retro nostalgia, which could be tempting.
Music [under your feet] is the first exhibition of Rolf Julius in the Czech Republic. However, his traces can be found elsewhere. The archive of Jiří Valoch contains several works that Julius dedicated to Jiří Valoch and Milan Knížák.
Why did Jarmila B. disappear? And why should we be interested in it? Jarmila B. was a ceramist, who did not leave any interesting art work behind, only many rather messed up projects and involuntary, unexceptional compromises. What really matters is what she did not create – her radical visions, which are captured in her diaries (and which bear a striking resemblance to projects of some radical conceptual artists and performances of contemporary artists). In a way she was ahead of her time.
It is only through understanding and strengthening of our interconnections and relationships with our environment that we can bring about any societal change that will ultimately result in an improvement of the affective micro-politics. The personal is political.