Choreographer Will Tuckett and Zenaida Yanowsky, principal dancer with the Royal Ballet, follow their performance inspired by Claire Barclay’s installationShadow Spans, which playfully references the similarities between the formal elements of classical dance and the architectural elements of Barclay’s work. 

Claire Barclay is a young sculptor who have re-engaged with craft techniques and the symbolic resonance of materials. The architectural mix of the East End with its dark cobbled alleyways, Georgian townhouses and modern buildings are reflected into her sculpture. Barclay has created a complex space for peeking around corners and for being observed.

artistsZenaida Yanowsky, Claire Barclay, Will Tuckett
placeWhitechapel Gallery
tags
directingZenaida Yanowsky, Will Tuckett
castZenaida Yanowsky, Will Tuckett
cameraMasters Alice
soundMasters Alice
editingMasters Alice
categoryReports
published11. 6. 2011
languageČesky / English
embedlink icon
arrow down
related
Shadow Spans
The choir of voices that is at times consonant and at times dissonant seeks know-how for undermining the bold narratives that revolve around heroic, autonomous figures who exert extraordinary power to overcome obstacles. Where does the saying about the events which make us stronger unless they kill us come from, and what is the actual meaning of the word “stronger” anyway?
As we find ourselves in times that have extensive socio-political implications, the exhibition thematizes the insecurity, the suspicion and post-factuality gradually digging into our lives more and more. The many ambivalent mechanisms trough which we cope with this uncertainty and multiplicity of artistic processes (either politically-critical, or completely non-factual and sensual, scientific or even speculative) of the abandonment of what is considered “real” or “rational” take their forms in the interconnected realms of the technological, the natural, the mystical, the symbolical.