Reports

Memories and Scores

The exhibition of Kvetoslava Fulierova presents in Gallery amt project in Bratislava the photographs coming from extensive period of author´s life depicting everyday private situations shared with her partner Július Koller, which we can consider to be a unique art study thanks to their endless creativity.

artistsKvetoslava Fulierová
placeAMT project
tags
castKvetoslava Fulierová
cameraJana Kapelová
soundJana Kapelová
editingJana Kapelová
interviewJana Kapelová
translationMichaela Wickleinová
categoryReports
published16. 9. 2014
languageČesky / English
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Memories and Scores
Jestrdej (1983), a silent black-and-white film bordering on video performance about the small everyday mysteries with classic film gag elements, accompanied by commentary in which he reflects upon his position at that time as an “Olomouc performer”. Thus the work Yesterday (1983– 2008) was created that opens a regular presentation of videos from the AVU Research Center video archive.
Contemporary curating has undergone changes. From efforts to build distance and protect a balanced reflexive position it has shifted towards empathy, cooperation and attempts to dehierarchize. Naturally, this is not always the case, but Jakub Adamec is a good example of the fruit that this type of curatorial work may bear.
The camera on a tripod recorded women, men and children coming up on an escalator from the subway at Wenceslas Square from the then still non-existent underground station Můstek. Their faces reflect everyday commonness and their passive bodies are brought up to the surface in a continual stream on an escalator. Through those people Ságl showed the resignation of Czech society during the normalization period.