The fourth edition of the international Fotograf Festival, this time with the motto “Seeing is Believing”, is providing an impetus for contemplation regarding the ways in which the technical image relates to reality, the authenticity of the medium of photography, and the relationship of human consciousness to the technocratic inventions and contraptions of science. The main theme is the imaginary space behind the looking glass, addressing phenomena which exist on the border of scientific comprehension and beyond.
The discussion forum focuses on photography’s ability to reveal what remains hidden and to capture a sense of the unreal—where photography, whose surface seems to refract everyday reality, opens up into other, more illusory worlds. As Walter Benjamin wrote, “It is through the camera that we first discover the optical unconscious, just as we discover the instinctual unconscious through psychoanalysis.” André Bazin in turn defined photography as a “sensory hallucination.”
What myths have become attached to photography throughout its history? How does photography relate to the occult? Can photography be used as proof of the existence of paranormal phenomena? How does one differentiate between images captured by photography, reflected in the retina of the human eye, and reality? Can photography offer a glimpse into the human soul? Or is photography simply a virtual copy of a non-existent original? These are a few of the questions that the forum will address in its 2014 edition, continuing the discussion of previous years regarding the possibilities of photography.
Patrizia Munforteis a doctoral candidate and research assistant at the Art History Department of the University of Zurich. Her dissertation focuses on portraits of the deceased and memorial images in pictorial arts and photography in the 19th century. In 2012, she was awarded the research grant from the Hans and René Müller-Meylan Foundation (Basel) and in 2013 the Research Travel Grant from the Terra Foundation for American Art. In 2012, Munforte collaborated with Prof. Bettina Gockel (editor) on the publication American Photography: Local and Global Contexts.
