Profiles

SALA-MANCA GROUP & Mamuta Art and Media Center

The Mamuta Project at Hansen House is a center for artistic creation, encounters, research, and display of art. The Center, is an artist’s run space, developed and directed by the Sala-Manca Group. Mamuta is comprised of artists’ workspaces; video, sound, and electronics labs; a wood, metal, and plastics workshop and an artist in residence apartment. The goal of the project is to advance art projects and to create a framework for artists from different media, as well as curators, architects, designers, and researchers, who wish to create in the spirit of cooperation, dialogue, and technological innovation.

The SALA-MANCA GROUP is a group of independent Jerusalem-based artists that creates in different fields: performance, video, installation & new media since 2000. Sala-manca’s works deal with poetics of translation (cultural, mediatic and social), with textual, urban and net contexts and with the tensions between low tech and high tech aesthetics, as well as social and political issues. The SALA-MANCA GROUP is Lea Mauas and Diego Rotman, artists born in Buenos Aires, Argentina, who live and work in Jerusalem.

http://mamuta.org
 http://www.sala-manca.net

artistsSala-Manca Group, Mamuta Art
place_Neurčené město
tags
castLea Mauas, Diego Rotman
cameraTamara Moyzes
soundTamara Moyzes
editingShlomi Yaffe
interviewTamara Moyzes
playlistsProfiles of the galleries and institutions
categoryProfiles
published12. 5. 2014
languageČesky / English
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SALA-MANCA GROUP & Mamuta Art and Media Center
In the lecture, I would like to address the issue of the labour of the artist from the perspective of the feminist artistic work and discuss, how already from the end of the 1970s feminists artists engaged with the issues of the flexible and precarious work, the issues that are also so pertinent in the labour of the artist today. From the perspective of those artists, the exploration of labour opened new dimension how to understand and reflect upon labour of female artist and her emancipated life.
Tereza Stejskalová is one of the most prominent feminist and critical voices on the Czech art scene. At present, she works as a curator in the initiative tranzit.cz and in the long term focuses on art critique.
As a curator, Stejskalová often works through postcolonial and feministic prism and her curatorial practice is typically an outcome of a long term research.
Kateryna Khramtsova filmed a short documentary about a non-binary performer and soldier entitled Qirim (2023), which has been screened at many film festivals, both here and abroad. In the accompanying essay, Kryštof Kočtář presents the film in the context of Khramtsova's artistic work.