Reports

W-World

It turns out the progress is not going forward that fast. Fashions that were bound to die away are coming back and the hundred times buried postmodernity, with its corpse, that was to be dined on by the Waterworld, doesn’t seem to bring itself to become history. Shallowness and superficiality, the inability to reach any depths, belong however to those attributes of the postmodernity that actually gave ground to the shy efforts to peer beneath the surface. Slowly but surely rising sea levels as much as the crumbling dream of “sustainable development” partake on this renewed interest in depth (in searching for something that has a meaning and it’s not just a play with meanings)… The accounts of difference between the surfing on the surface and diving into depth were at the beginning of our plans for the exhibition back in 2015 and we appreciate the opportunity to materialise the things that for some time existed only on a paper and in various email attachments in the HotDock Gallery. The duo of Julia Gryboś and Barbora Zentková (who are to compete for the Oskár Čepan Award in a month), Dominik Hlinka and Martin Nytra will present new works created exclusively for this exhibition

artistsJulia Grybos, Martin Nytra, Barbora Zentková, Dominik Hlinka
curatorsJán Kralovič
placeHotDock Gallery
tags
castJán Kralovič
cameraJakub Julény
soundJakub Julény
editingJakub Julény
interviewPeter Barényi
translationPalo Fabuš
categoryReports
published3. 2. 2017
languageČesky / English
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W-World
The concept of the exhibition is based on the ideological convergence of the work of Catherine Radosa and Jaroslav Varga, which consists in revealing the physical and symbolic traces of the past. Both artists examine these relics of bygone times and eras from the perspective of collective memory and the mechanisms of its storage. A vacant lot is an empty space, a gap left by a past situation that can be filled again. The installation Colonne / Révolution captures the constant cycle of the monument in a triple projection. The period of the revolutionary Paris Commune is still a problematic period in France, similar to the period of socialism in our country: it has been and continues to be reinterpreted, tabooed, or marginalized.