Online Exhibitions 29 results

Online Exhibitions
‘Gentle Triggers’ is a presentation of work by London based artists Jala Wahid and Nicole Morris whose practices are positioned between sculpture and moving image.
‘Next Time, Baby I’ll be #Bulletproof’ is a collision of the live body and its technological mediations by Web 2.0 artist Jennifer Chan, accompanied by ‘Gyre’, a commissioned essay by London based art historian Cadence Kinsey.
Surrounding Fucker Sam and Sam83 Gallery there sprung up and operates a space for critical and free thinking covering a lot of activities. I follow the origins, meaning and the operation of the space in the first part of NJME.
Five Hungarian artists present their work in short profiles with stand-in seconding them in parallel videos. In separate portraits takes this stand-in charge of artworks explanation with a sovereignty of an author. He presents five various forms of his art production in various media or creative foci (painting, sculpture, photography, video, installation).
Rehana Zaman
Considering the changing nature of work under global capitalism and the role of female labour, the film ‘Some Women, Other Women and all the Bittermen’ (2014, dir. Rehana Zaman) is a contentious and highly engaging adoption of the conventions of British soap opera place alongside footage documenting meetings of migrant women in the UK at the self-led organisation Justice for Domestic Workers in Leeds.
Martin Zet
I decided to go for the last option, making use of my present position of an art teacher, and so I decided to introduce works of our students from the Video studio. I hope the videos do not show any traces of my influence and I believe this will remain true also in the future.
The second part in ‘New Feminism’ programme brings together moving image works by London based artist Chooc Ly Tan and an essay by the curator, artist and researcher Julia Tcharfas. It links mythical stories about gender of celestial beings to invention of new words and language through the text of science fiction writer Ursula K. Le Guin, video collage and astrophysics.
The protagonists of Sikora’s similes are trivial animals, plants and mundane elements of material world in their simple state of being. He takes interest in marginal and repressed social phenomena and thinks about them visually.
Jenna Bliss
A series of five videos about closeness and distance, it addresses the contradictions of the people who influence us most: our fathers believing they resolved the Mystery of Women, grandmothers who embody woman’s physical decline and the women, like Weil, who we admire but who, unlike the men, weren’t just allowed to be.
The fusion of authorial and spectatorial attitudes is typical both of romantic landscape painting and videoart in which the subjective perspective dominates. This online exhibition of three authoresses offers a rare transfer into the painting, a specific landscape where we can together with the authors experience almost mystic river contemplation, an astonished observation of a stranger’s invasion into a quiet horizon and an amused interaction with a chopped off trunk.
The term ‘into thin air’ refers to a sense of disappearing into the unknown, a semi-obliteration or part-erasure. Things don’t completely cease to exist, but find an alternate semi-reality in which they can exist intangibly.
The waves of the so called “color revolutions” in former soviet republics like Georgia (“rose revolution”) and the Ukraine (“orange revolution”) are types of uprisings for just and democratic presidential elections. The spirit of color revolution, characterized by the unsatisfactory state of the institution of elections and by struggles to establish it, is present in almost all the post-Soviet countries, but here we reserve the term color revolution for those countries where special early presidential elections took place.
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