Video Archive VVP AVU 45 results

Video Archive VVP AVU
Jiří David
Marilyn Monroe comes back to life in the form of her frisky doppelganger. According to David, the slowed-down Arabic music that accompanies the video is “a kind of willful act, an Arabesque, perhaps like that ficus tree or whatever that thing is behind ‘Marilyn’, or like the naïve movements of her hands and body.” It can also be interpreted as a counterpoint highlighting the contrast between our view of woman and the Muslim view.
Avdej Ter-Oganian
School of performance is a part of an extensive project called School of avant-garde which Avdej Ter-Oganjan started in 1995 and which continued until 1998. The first group of students he worked with included students of different ages with non-artistic backgrounds and their cooperation did not last long. The second group included mostly Avdej´s son´s David´s friends who were of more or less the same age. The project was an experimental introduction of inexperienced and naïve teenagers into the world of art.
Tomáš Ruller, Ivan Kafka, Michal Blažek + 12 more
The film shows the house of Čestmír Suška and Naďa Rawová, where one of the first unofficial symposiums took place in July 1980 and which was soon followed by others (Netvořice 81, Mutějovice 83 and others). This led to a series of Confrontations (1984–1987) – exhibitions of the youngest generation of artists.
Petr Pastrňák
I have made the whole video in one day from the roof of the studio of video art at the Academy of Arts in Prague. I did not mean to film any art, I more or less only wanted to play with the camera.I had my headphones on and was listening to Badalamenti´s music composed for the serial Twin Peaks.
Elen Řádová
In this video we watch a face of a young man and a woman turning away from each other and then meeting for a split of a second. The expression in their faces does not change. However, if the viewer lets the picture effect him for some time, it can be changed to express a whole range of feelings from tenderness over disinterest to cruelty.
Lumír Hladík
I asked my friends to drive me (blindfolded), and a large mirror to the Baltic Sea coast in East Germany. Upon our arrival, my friends placed the mirror in an upright position on the beach facing the sea. I was escorted towards the mirror, where I sat down, removed the blindfold and watched the sea’s reflection in the mirror.
Jiří Ševčík
In their introductory text Jana and Jiří Ševčík wrote: “There was a collapse of alternatives, a loss of interest and only a marginal position remained. Seen from inside, the problem East-West still exists. For the West eastern art is interesting only if it is compatible production or produce of victims.
Aleš Záboj
The shop with off-price drugstore products used to be in Bayerova street in Brno between 1986–1989 and it also served as an independent exhibition place.Its conception was created by Petr Oslzlý and Rostislav Pospíšil who represented the fine art and theatre area and its technical support was provided by the drugstore manager Drahomír Svatoň.
Jesper Alvaer
Jesper Alvaer's videos in a compilation from 1999-2004 make up a compact unit following alike motifs and themes. The short films show everyday reality which the author designs or just simply records. They are related by matching the camera eye, a game in which a simple slit through the objective creates a new autonomous event.
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