Reports

After Body

The exhibition After Body explores and examines the situation of the body in the digital space with the use of ethnographic methods. The digital space absorbed the old power structures and patterns and unfolded them into the new forms of violence, dominance and exploitation. The seamingly neutral field of ones and zeros grew into a digital plantation on which our bodies work under the supervision of the algorithms. The author presents three works of various forms – a video installation Ethnographic Study of Algorithms, the publication Digital Negroes: an Ethnographic Dictionary, and a VR installation After Body: Situation. Each work uses a different language to describe and analyse the contemporary phenomena and processes that occur both inside and outside the digital space. The author summarizes them under the term digital colonialism.

Dalibor Knapp (*1985) is a student of the Centre for Audiovisual Studies at FAMU. The exhibition set After Body is his diploma project.

umělciDalibor Knapp
místoCity Surfer Office
tagy
účinkujícíDalibor Knapp
kameraDavid Přílučík
zvukDavid Přílučík
střihDavid Přílučík
interviewDavid Přílučík
překladZuzana Rousová
kategorieReports
publikováno26. 10. 2017
jazykČesky / English
embedlink icon
arrow down
související
After Body
The author considers the video as a part of the decolonisation process within the framework of the history of Czechoslovak cinema. His conceptual method of work is based on the deconstruction and re-interpretation of original scenes from Czechoslovak films, e.g. Křik (Jaromil Jireš, 1963), Jak básníci přicházejí o iluze (Dušan Klein, 1984) and Dědictví aneb Kurvahošigutntag (Věra Chytilová, 1992). All these films feature stereotyped black characters.
The alibi of the Czechoslovaks, which historically exempted them from responsibility for the era of European colonialism, is seriously undermined if we take a closer look at some episodes of Czechoslovak history and if we revise the attitude that Czechoslovak citizens took towards colonies and their people and what orientalizing ideas they created. This attitude certainly does not apply only to non-European people and cultures, but also within Europe itself, as Vobořil demonstrates in his work.