Reports

Uhuru

Catarina Simao is an Lisbon-based artist whose practise is built upon long term research projects that entail collaborative partnerships and different forms of presentation to the public, such as art installations, screenings, participatory workshops and talks. Simao is known for her essay-like displays, using documentation, writing, films and videos related to Mozambique films and images made during the struggle against Portuguese colonial occupation and after independence. Her work has been presented at Serralves Museum, Manifesta 8 Biennial, Africa.cont, Reina Sofia Museum and other art institutions across Europe and also Mozambique, USA and Lebanon. The Mozambique Institute Project is her latest project involving cinema-action and pedagogogy. “UHURU” is her first solo show.

artistsCatarina Simao
curatorsDaniel Grúň
placeTranzit ateliéry – Hangár
tags
castCatarina Simao
cameraPeter Barényi
soundPeter Barényi
editingPeter Barényi
interviewPeter Barényi
categoryReports
published15. 6. 2015
languageČesky / English
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Uhuru
Artist Sissel Mutale Bergh describes her latest film, Elmie (2023) – a Southern Sámi word meaning sky, air and storm – as a documentary poem and a lamentation on air, breath, birds, mountains and wind power. For several years, Bergh has followed the construction of – and opposition to – industrial windfarms at Fovsen/Fosen in the southern district of reindeer herding at ÅerjelFovsen Njaarke Sijte.
Words that become popular in the world of art often quickly fall from one side to the other. The words alone are not to blame. Some of them have an imaginative power which surpasses their real meaning. They become an incantation whose weight of imagination tilts the words over the edge of depletion. Decolonisation is one of them.
Jan Pfeiffer's exhibition explores how architecture and urban spaces preserve the energy and ideas that have been imprinted on them, tracing the author's journey from personal experiences to universal symbols. Using black-and-white photographs and models, he intuitively connects distant elements—from a flame in Ramallah to the crown of the Old Town Bridge Tower—into a poetic construction about architectural "springs."