Art is a Forbidden Fruit Marmalade

The winner of the Henkel Art.Award. 2010 is the Polish native Maks Cieślak. His cinematic works are characterized by a high level of narrative intensity and originality. Cieślak works with the tools offered by silent films, the aesthetics of amateur movies on YouTube as well as the elements of found footage. In this regard, he is able to approach film as a medium in a completely undogmatic and sometimes humorous manner. He uses the history of motion pictures, myths of media history such as Yuri Gagarin’s flight in space or a Doors concert as material to create a highly unconventional cinematic language. Some of his works, such as Doctor Faustus or Cloud Nine, can be seen as extremely angry satires on the art scene.

artistsMaks Cieślak
curatorsEva Badura-Triska, Wolfgang Schreiner
placeMUMOK
tags
castMaks Cieślak
cameraIvan Svoboda
editingIvan Svoboda
interviewIvan Svoboda
published20. 6. 2011
languageČesky / English
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Art is a Forbidden Fruit Marmalade
In the second half of the 1970s, Ambroz was primarily engaged in performance, which he documented using the film besides texts and photographs, and in 1980, even using a video camera. For years, he was convinced that he had his own motion picture recording of his Air performance in 1976. But when the filmstrip was digitized in 2016, it turned out to contain something completely different.
Our films can be divided in two categories: art films (following an idea, an experiment) and documents (everyday life in the school: fights among classmates, teachers). Movies  called “I.R. Piktuers” (I. = Ivars, R. = Rinalds, Piktuers = twisted word “pictures” were mostly made between 1992-1993 at the elementary school in Riga.