Exhibition of American experimental filmmaker Barbara Hammer, running as a companion program of the film festival Mezipatra is presenting a selection of the author’s work from the beginning of the 70 of the 20 century. 

Barbara Hammer is one of the first filmmakers in the United States who has consistently focused on the taboos associated with women’s physicality and lesbian sexuality. At the exhibition, called simply Hammer! were shown her movies Superdyke (Superlesbian) (1975), Women I Love (1976) and Nitrate Kisses (1992). Films of Barbara Hammer  are now one of the classics of lesbian cinema. The films were presented in leading international galleries including the Museum of Modern Art in New York, the Centre Pompidou and Tate Modern in London. On the show in the Studio Fotograf form a counterpart to the selected films by Barbara Hammer photos by Martina Uhlíř and videos from Veronika Neumann and Helena Sequens.

artistsMartina Uhlířová, Barbara Hammer, Veronika Neumanová, Helena Sequensová
curatorsZuzana Štefková
placefotograf gallery
tags
castZuzana Štefková
cameraJan Vidlička
soundJan Vidlička
editingJan Vidlička
interviewJan Vidlička
published26. 11. 2010
languageČesky / English
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HAMMER!
Probably the only film footage from unofficial Confrontations, the exhibitions organized by students of Prague´s art academies in 1984-1987.The second exhibition of the six took place in 1984 in a house rented by a student of the Academy of Fine Arts, Petr Petr, in Krymská 21, Praha-Vršovice. The participants were students from the Academy of Fine Arts, Academy of Arts, Architecture and Design and two foreign visiting students who covered not only the walls of the house, but also space in the yard and on the porch by their artworks.
Most people imagine academic work as a slow march up the steep steps of the Ivory Tower. It has its clear hierarchies, formal organization, its rules both written and unwritten. It requires diligence, distance and conscientious work. All that is often true and at times necessary. Therefore, not many people think that theory would be riveting or exciting. But the work of Kateřina Svatoňová shows us that theory is, first and foremost, an adventure.