Reports

Enemies of Good Art

The Public Meeting is the keystone activity that the British platform Enemies of Good Art is putting together. In 2009, for the first time in the London Whitechapel Gallery, twenty artists got together in order to introduce, with their children present, the topic of free artistic creation and simultaneously analyze issues for artists who are also parents. 

From this moment on, Enemies of Good Art has been acquainting the public with their authentic experiences of combining professional and private life. Organizing public discussions is one of the association’s main activities that are distinct due to their wide scope of themes, their being interdisciplinary and their documentation, which thankfully makes it possible to listen, later online on their website, to recordings of nearly all the meetings.

Martina Mullaney studied photography at the Royal College of Art in London and co-organized, under the name of Enemies of Good Art, eight public meetings in the Whitechapel Gallery, the Tate Modern and the Southbank Centre. Since 2010, she has been in charge of her own show on the British radio station Resonance, guest appearances have been made by: Wendy Ewald, Hermione Wiltshire, Susan Bright, Rut Blees Luxembourg, Jennifer Thatcher, Camilla Brown, Rachel Anderson, Elinor Carucci, Helen Knowles, Jude Kelly, Catherine Grant, Josie Appleton, Paul Halliday, Lina Dzuverovic, Ken Pratt, Jemima Brown, Gideon Mendel, Irene Revell and Hannah Black.

http://www.enemiesofgoodart.org/

artistsMartina Mullaney
placetranzitdisplay
tags
castMartina Mullaney
cameraMiguel Cerro
soundMiguel Cerro
editingJan Vidlička
interviewEmily Naine
categoryReports
published14. 2. 2013
languageČesky / English
embedlink icon
arrow down
related
Enemies of Good Art
In the lecture Dubravka Sekulić focuses not only on what and why needs to change in architectural education in an effort to make a discipline more equitable, but also on how this change can happen.
In the lecture, I would like to address the issue of the labour of the artist from the perspective of the feminist artistic work and discuss, how already from the end of the 1970s feminists artists engaged with the issues of the flexible and precarious work, the issues that are also so pertinent in the labour of the artist today. From the perspective of those artists, the exploration of labour opened new dimension how to understand and reflect upon labour of female artist and her emancipated life.