art funding 44 results

art funding

Martin and Miroslava Kubík, brother and sister, set up a gallery in Litomyšl in 2012, which they named after their father Miroslav Kubík, the founder of a family business Kubík a.s.
Martin and Miroslava Kubík collect contemporary modern art, especially paintings.
Marek Collection does not represent the personal taste of one collector but the collection originated as a systematical joint effort.
The collectors focus particularly on the work of young beginning artists, they purchase works of art by young artists and thus provide testimony to the energy of artists who have just entered the art scene.
We are presenting the monumental commission for the Iranian Shah in Teheran year 1977. Before the contract was unexpectedly terminated a year later due to the coup in Iran, Czechoslovakia managed to make great profit and the then Prime Minister Lubomír Štrougal acknowledged the economic contribution of Art Centrum, which was transferred in 1977 under the Federal Ministry of Foreign Trade and was thus saved from being closed down.
Millions of people have fled Ukraine to escape the war, many of them artists, curators, and other cultural professionals. Various initiatives and organization networks were created to help them, and a lot of art institutions and residence programs accommodated their plans to suit them.
Richard Watzke is surrounded by numerous works of art and is known for his interest in modern glass sculpture. According to him, individual works of art enrich our lives, however, they are not irreplaceable artefacts – they are also products intended for sale or investment. Some people find Richard Watzke fascinating, others annoying, however, he hardly ever leaves someone cold.
At the end of 2012 there were five candidates for the position of the director of the House of Arts in Brno. The Brno Townhall refused to make their names public referring to the personal data protection law.The selection committee  recommended Terezie Petišková. One of the two unsuccessful candidates was the previous director Rostislav Koryčánek who was removed from office immediately after the announcement of the results by the selection committee. The reasons for this premature removal from office remained unexplained.
The collection of Alberto di Stefano and Eugenio Percossi has a representative character with view to the Czech art scene and it also includes a number of works by foreign artists, especially those who exhibited their work within the projects of the Centre for Contemporary Art. The collectors do not focus on any specific type of media, they select works primarily according to their taste not according to the market value. Their collection of art is housed in the reconstructed chateau in Třebešice together with a large number of art installations and site specific work.
They are often presented as condescending patrons of arts, who have decided to put aside a couple of their millions and contribute to public welfare and the promotion of exquisite culture. However, their seemingly good intentions should be seen with view to the context of the troubled political and economic past of our (and not only our) country. We should know how they acquired their property and what social or ecological damage they caused while amassing their fortune.
In this video Artyčok.TV examines Artbanka with a critical eye. Artbanka defines itself as being a non-profit project that helps young artists to get their foot in the door of this competitve art world. Under closer inspection one discovers the project is not as charitable as it first appears. After purchasing young Czech and Slovak artists' work, Artbanka rents or lends the work to individuals and companies. Artbanka has closely colaborated with City Gallery Prague, and this video scrutinises the two institutions' relationship through a series of interviews that highlights their somewhat sketchy partnership.