Reports

Jan Křížek (1919-1985) and the Paris Art Scene in the 1950s'

The retrospective exhibition presents in detail the work of sculptor Jan Křížek, a highly original Czech artist who settled in France in the second half of the 20th century. 

Although primarily a sculptor, he also left behind a large body of drawing and graphic work. The exhibition traces the artist’s life and work and places his oeuvre in the international context of post-war art. During his sojourn in Paris beginning in 1947, Křížek was involved in the local art community and met with prominent artists. He was one of the fi rst to exhibit in the newly founded Foyer de l’art brut of Jean Dubuffet and joined the circle of artists around Charles Estienne, a leading theoretician of post-war abstraction and adherent of tachism. He participated in meetings of the surrealist group and corresponded with André Breton about automatic drawing.
He presented his artworks in progressive galleries in Paris and attended several major collective exhibition projects. In his working prime, aged 44, he decided to quit art and moved to the French countryside to raise bees.
The exhibition presents many hitherto unknown artworks loaned from public and private collections in the Czech Republic and France and adds works by friends and contemporaries who shared his views about art (e.g. Václav Boštík, René Duvillier, Jean Degottex, Jean Dubuffet, Pablo Picasso)

artistsJan Křížek
curatorsAnna Pravdová
placeNárodní galerie v Praze - Valdštejnská jízdárna
tags
castAnna Pravdová
cameraJan Vidlička
soundJan Vidlička
editingJan Vidlička
interviewVjera Borozan
translationAdéla Dörnerová
categoryReports
published14. 11. 2013
languageČesky / English
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Jan Křížek (1919-1985) and the Paris Art Scene in the 1950s'
What's behind that forest? Can you identify the trees? Shall we have our snack here? Which of the demons here is the loudest? Does Ester ever come here to sing? Is there a skinny dwarf behind the tree? Has Ester been to Japan? Is it morning or evening there? Can you smell the polypores? Who do the beetles love? Haven't we been here before? Is that moss okay? Why is no one naked there? Do you use tick repellent? Is it like the photo? Does Ester know mushrooms?
In her work, Cornaro uses found objects imbued with symbolic potential or emotional value, which she presents in different types of display and media to reveal the subtle shifts of meaning provoked by processes of reproduction and translation.
Borrowed from domestic, decorative or functional contexts, these artefacts are often linked to Western culture as a means of power, their combination and arrangement in the artist’s work invites spectators to question the relationships between systems of representation and our understanding of the world.