Lectures

Postpravda a nové informační rámce

post-truth audio friendly photography algoritmus digital platforms
placeGHMP - Colloredo Mansfeld
tags
post-truthaudio friendlyphotographyalgoritmusdigital platforms
castJiří Žák, Palo Fabuš, Andrea Průchová Hrůzová, Čeněk Pýcha, Václav Janoščík
cameraRadim Labuda
soundRadim Labuda
editingRadim Labuda
categoryLectures
published5. 5. 2017
languageČesky / English
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Postpravda a nové informační rámce
Jonas Staal
To grasp the rise of new forms of authoritarianism, propaganda studies are a crucial tool, but we also must look at the particular role of propaganda art. How has the imaginary of art, theater, film, design, architecture and even games, contributed to the authoritarian imagination? And can we imagine forms of popular and emancipatory propaganda art to defend another world view?
Jiří Žák
In The Shattered Epistemologist, Žák collaborates with the charismatic Berlin-based German-Beninese dancer Meïmouna Coffi. Working with a script by Žák, Coffi has created an improvised dance choreography based, among other things, on the physical gestures we use when we operate digital equipment. A collage of dance sequences and blurry, abstract footage – is a visual-poetic metaphor, accompanied by a subjective verbal and text-based commentary that places the fictitious situations within a real and specific context.