Reports

Still In Need To Apologize

In 2014, Lebanese filmmakers and visual artists Joana Hadjithomas and Khalil Joreige presented their extensive long term research project evolving around spam emails, which they traced back to their 18th century analogue forerunner known as Jerusalem Letter. Three years later, when even the term “post-truth” became vague and unfitting to describe current political climate, the idea of a spam email feels old fashioned and out of date. Fotograf Festival is presenting reiteration of this complex study comprising the media of installation, sound, video, sculpture, drawing and archive material with a new urgency as a historical probe of digital manipulation and blurring borderlines of what we call reality.

The Exhibition was held within Fotograf Festival #7 EYE IN THE SKY.

umělciKhalil Joreige, Joana Hadjithomas
kurátorJen Kratochvil
místotranzitdisplay
tagy
účinkujícíKhalil Joreige, Jen Kratochvil
kameraJan Vidlička
zvukJan Vidlička
střihJan Vidlička
interviewJan Vidlička
kategorieReports
publikováno4. 12. 2017
jazykČesky / English
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Still In Need To Apologize
To grasp the rise of new forms of authoritarianism, propaganda studies are a crucial tool, but we also must look at the particular role of propaganda art. How has the imaginary of art, theater, film, design, architecture and even games, contributed to the authoritarian imagination? And can we imagine forms of popular and emancipatory propaganda art to defend another world view?
In The Shattered Epistemologist, Žák collaborates with the charismatic Berlin-based German-Beninese dancer Meïmouna Coffi. Working with a script by Žák, Coffi has created an improvised dance choreography based, among other things, on the physical gestures we use when we operate digital equipment. A collage of dance sequences and blurry, abstract footage – is a visual-poetic metaphor, accompanied by a subjective verbal and text-based commentary that places the fictitious situations within a real and specific context.