emancipation 10 results

emancipation
Lizaveta Hridzyushka, Šimon Kadlčák, Alex Sihelská + 4 more
In the poetics of identities, it is important to return to a certain point of zero, which is also a breaking point. My self is breaking through certain limitations and constantly fighting against itself. It is always in the process of becoming, and this process is always accompanied by a certain disjointedness. I am nobody and at the same time I am everybody. I belong to the anywheres, to those who are at home everywhere and nowhere at the same time. I don’t know if that is a reason to be sad.
Kateryna Khramtsova
Kateryna Khramtsova filmed a short documentary about a non-binary performer and soldier entitled Qirim (2023), which has been screened at many film festivals, both here and abroad. In the accompanying essay, Kryštof Kočtář presents the film in the context of Khramtsova's artistic work.
Alex Sihelská
Alex constructs and, in turn, deconstructs a fluid identity that defines itself through ephemeral contributions, the power and anxiety inherent in the possibility of breaking down the boundaries between subject and object. Bold yet light-hearted, we trust the work unreservedly for its emotion and the vulnerability of the artist’s personal input.
Nikola Brabcová, Barbora Švehláková, Tereza Jindrová + 1 more
Tereza Stejskalová is one of the most prominent feminist and critical voices on the Czech art scene. At present, she works as a curator in the initiative tranzit.cz and in the long term focuses on art critique.
As a curator, Stejskalová often works through postcolonial and feministic prism and her curatorial practice is typically an outcome of a long term research.
What can we do within the confines of the present? What are the discursive possibilities and conditions of accelerationism? What are the investments and aspirations for such a language and for such an endeavor?
Lucie Rosenfeldová, Matěj Pavlík
The two-year artistic research project deals with the role of the protest image and its possible impact on real social, political, and economic changes. Through its individual outputs, the project offers multiple perspectives on the use of visual or audiovisual documentation as a possible emancipatory tool of the people.