Reports

Jan Jedlička

artistsJan Jedlička
curatorsJitka Hlaváčková
placeGHMP – Městská knihovna
tags
castJan Jedlička, Jitka Hlaváčková
cameraJiří Žák
soundJiří Žák
editingJiří Žák
interviewJiří Žák
categoryReports
published18. 6. 2021
languageČesky / English
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Jan Jedlička
Currently, we encounter these changes and catastrophes being discussed in regional public debates by people from the scientific community, government agencies, and politics, who use the authority of expert images to describe the ongoing changes and impending catastrophes. We do not see images that deviate from the established norms of scientific representation in the public sphere, and the voices of those directly affected by these changes are heard little or not at all in public debate. However, the presence of the planet as an active force producing its own images and ways of sharing them gives power to these alternative voices, languages, and images.
Both authors work with fictional worlds (seemingly) untouched by humans, which serve as romanticized escapes from the chaotic reality of the present. Instead of the desired contemplation, the scenes of an untouched natural world evoke an almost disturbing feeling of permanence and death.
The Heron is a film about the Stromovka park, however, it is perhaps more about us, people, and the different activities we may pursue in city parks. It shows inexplicitly to what extent people are influenced by parks and parks by people. What role do parks play in our contemporary society, in our everyday lives?
The protagonists of Sikora’s similes are trivial animals, plants and mundane elements of material world in their simple state of being. He takes interest in marginal and repressed social phenomena and thinks about them visually.