landscape 62 results

landscape
Randal Plunkett, Dalibor Dostál
Randal Plunkett introduced a unique approach to wild landscape restoration called V-wilding. It combines ecological principles with vegan philosophy and offers a model for sustainable restoration of natural habitats. Dalibor Dostál focused on the return of large herbivores as a means of restoring biodiversity, which is disappearing today at an unprecedented rate.
Xavier Ros Majó
Barcelona-based studio focuses on finding a balance between raw material aesthetics, history, and high energy efficiency.
Janka Vidová
Janka Vidová made one of the first videos as a spontaneous student´s work when she was studying in the studio of new media at the Academy of Arts in Prague. The dream-like atmosphere evoked by the choice of archetypal motives (walking in the snow, white rabbits, old people, an idyllic landscape at dusk) was further enhanced by period visual effects (polarisation, colour manipulation, slow motion) and by music.
Jiří Černický
In the event projected here worked Jiří Černický with the heat effect and a motif of reflection. He used the Iron – “a female” appliance touching intimate garments but at the same time a „male“ impersonal tool used as a mirror and a brush. He stepped back from the camera to the place where a fata morgana originated due to the thermal inversion.
Kamila Valešová, Michaela Cagáňová
One of the enduring questions we explore this last year is whether scent and smells can be used as a tools for storytelling. The sociology and politics of scent remain largely unexplored, yet we all recognise that scents are often subject to rigid labels and gender stereotypes. Primarily however, scents represent interspecies narratives, as animals and plants primarily communicate through scent, without the need for language.
Ivana Králíková, Nao Matsunaga, Salvatore Arancio + 3 more
The exhibition is not only a departure from the established boundaries of the field, but also a demonstration of the possibilities that ceramics offer within contemporary art. The fact that it is ceramic clay, in various forms and shapes, that fills the gallery spaces is not a surprising result of a symposium focused on this material. However, ceramics is not the only means of expression that the exhibiting artists work with in their creations, which is also reflected in their latest works created during their four-week stay in Bechyně.
David Přílučík, Anna Remešová
It's obvious that the issue of the environment and ecology in art is increasingly becoming a consciously political decision that affects what art we create, how we teach it, how we talk about it, or how we present it. Artwork is intertwined with cultural activity, which is linked to activism and vice versa. The context, material used and financial resources are increasingly accentuated.
Bohumil Vostal
The film shows the members of the art club of the Bedřich Václavek Community House in Třebíč with Antonín Kybal during their outdoor painting trip which took place in the countryside around Ptáčov in 1959. This club was founded in 1953 for mostly amateur painters and a number of professional painters were involved in their training and education.
The fusion of authorial and spectatorial attitudes is typical both of romantic landscape painting and videoart in which the subjective perspective dominates. This online exhibition of three authoresses offers a rare transfer into the painting, a specific landscape where we can together with the authors experience almost mystic river contemplation, an astonished observation of a stranger’s invasion into a quiet horizon and an amused interaction with a chopped off trunk.
Sára Vybíralová, Michal Kindernay
The section of the motorway D11, which will run across the Trutnov and Žacléř regions will add a part of the East Bohemain frontier district, a forgotten bracket between the Krkonoše National Park and the Protected Landscape Area of the Broumov region, as another bead to an illusory rosary connecting Paris with Moscow. It is no more controversial than the other eight motoways under construction in the Czech Republic. May the presented requiem for our landscape be read ad exemplum.
Tom Muller, Štěpán Špoula
Two lectures by landscape architects present possible ways of transformation of greenery in cities. Tom Muller talks about a climate-proof, sustainable, manageable and biodiversity-supportive process that is embraced by the public. Štěpán Špoula presents projects and strategies aimed at a river in the city.
Sissel M. Bergh
Artist Sissel Mutale Bergh describes her latest film, Elmie (2023) – a Southern Sámi word meaning sky, air and storm – as a documentary poem and a lamentation on air, breath, birds, mountains and wind power. For several years, Bergh has followed the construction of – and opposition to – industrial windfarms at Fovsen/Fosen in the southern district of reindeer herding at ÅerjelFovsen Njaarke Sijte.
Michelle Delk, Thomas Kissling
The May lecture from the Land/Scape series featured New York landscape architect Michelle Delk from Snøhetta and Swiss landscape architect Thomas Kissling from VOGT Landscape Architects. The topics were inspirational places for contemporary life, the connections between people and their surroundings, and water in the landscape.
Štěpán Pech, Noemi Purkrábková, Kateřina Svatoňová
Most people imagine academic work as a slow march up the steep steps of the Ivory Tower. It has its clear hierarchies, formal organization, its rules both written and unwritten. It requires diligence, distance and conscientious work. All that is often true and at times necessary. Therefore, not many people think that theory would be riveting or exciting. But the work of Kateřina Svatoňová shows us that theory is, first and foremost, an adventure.
Xaveer De Geyter
Ideally architecture is not about fixing activities, fluxes or programs, or worse, about solving spatial problems. On the contrary, it is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation in time, of a programmatic conflict. It is about dealing with uncertainty, about enabling different and unforeseen scenarios. In that sense, architecture and urbanism are not opposed disciplines with different outcomes, but similar mediators, on different scales and in different degrees of complexity, with the same goal of enabling life.
Petr Pastrňák
The works on display were created between 2003 and 2008. I made them all during my stay in the Czech Republic. I didn't paint much in India at the time, I was just experimenting. I mostly created works on paper as tests of what I would paint on canvas. However, it often happens that the papers turn out better than the canvases. I find papers more suitable for this type of work because of their delicacy. But it is difficult to exhibit them, as they require special frames and must be placed under glass, which causes a lot of trouble. That is why I have never exhibited larger papers.
Tom Balsley
Tom Balsley (SWA/Balsley) is a renowned architect with a wealth of experience based in New York. He has been transforming social and cultural spaces into sustainable and vibrant urban landscapes for over 35 years. In New York alone, he has completed more than 100 parks and squares.
Lenka Dolanová, Michal Kindernay
The aim of RurArtMap is to strengthen the cultural awareness of the countryside and create a space for cultural presentations, a platform for cooperation and activity planning which would make the art and cultural activities in rural environment more accessible.
Salka Tiziana
In the heart of Madrid a ravaged forest lays calm in the aftermath of the storm. Shepherds, sheep and dogs roam among the branches of uprooted trees. Above them, the city resounds with birdsong and underneath we hear the murmurs of the herd. Old walls, new barriers enclose this territory. At night its borders dissolve on the hilltop. Under a black sky the contours of its inhabitants emerge. The land rings out and the city glimmers. 
How and to what extent can we understand the land, and what do we all know and not know about it? To whom does it belong, and how do we change it, for better or worse? How can we express and capture in human, rather than statistical, terms, both the visible and invisible transformations that the land undergoes, both locally and globally, with regard to the entire biosphere and climate?
Martin Netočný
The Heron is a film about the Stromovka park, however, it is perhaps more about us, people, and the different activities we may pursue in city parks. It shows inexplicitly to what extent people are influenced by parks and parks by people. What role do parks play in our contemporary society, in our everyday lives?
Lumír Hladík
I asked my friends to drive me (blindfolded), and a large mirror to the Baltic Sea coast in East Germany. Upon our arrival, my friends placed the mirror in an upright position on the beach facing the sea. I was escorted towards the mirror, where I sat down, removed the blindfold and watched the sea’s reflection in the mirror.