Profiles

Šejla Kamerić

Šejla Kamerić (born Sarajevo, 1976) is a Bosnian artist. She studied at the Academy of Fine Arts in Sarajevo, at the Department of Graphic Design. Between 1994 and 1997, she collaborated with the design group Trio, also of Sarajevo. Then she worked as art director for the advertising agency Fabrika until 2000. That year she participated in the Manifesta in Ljubljana. she is Member of the European Cultural Parliament (2003). Since 2007, she has an Artist in Residency grant, DAAD Fellowship, in Berlin. In 2011 Kamerić received the European Cultural Foundation’s Princess Margriet Award. In 2012 Kamerić will participate in the 9th Gwangju Biennale.[1] She currently lives and works in Sarajevo and Berlin.

As an artist, she is specialized in video art, films, art installations, and book design. She is part of the Balkan group of artists who work on concepts such as adaptation of Balkan society to capitalism and the processes of creation and disintegration of national identities. To do it, Kamerić uses various artistic techniques, including films, video installations and photographs, often telling his own experience as a person who has experienced war in the Balkans.

http://sejlakameric.com/

artistsŠejla Kamerić
place_Neurčené místo
tags
castŠejla Kamerić
cameraTamara Moyzes
soundTamara Moyzes
editingShlomi Yaffe
interviewTamara Moyzes
categoryProfiles
published10. 2. 2014
languageČesky / English
embedlink icon
arrow down
related
Šejla Kamerić
Confrontations in public space are becoming more virulent. Protests gain traction, social tension is on the rise. Tension as a reaction to threat, an emotional roller coaster of strong convictions. The truth of convictions is shored up by shared emotional experience. Anger, loss of hope, feelings of remorse, anxiety; the emotional ties of mutuality.
For over a century, the factory in Střekov has influenced the structure of the city and the quality of life of its inhabitants. During the period of industrial development, Johann Schicht and his descendants built civic amenities in the city – a health center, spas, nurseries, a library, and residential buildings for their workers. After the company was nationalized, production continued and continued to employ a large number of newly settled residents. The national company Setuza also brought its employees together and enabled them to participate in "extracurricular activities," primarily in events organized by the Revolutionary Trade Union Movement, which included the organization of International Women's Day celebrations, St. Nicholas Day gifts, and children's camps.