Reports

Start Up Position

How can a curator influence an art platform? What degree of manipulation is in the work presented? How is the position of a curator perceived in the context of exhibitions?
These three pivotal questions gave rise to the two-year project The Position Of a Curator, reflecting and discussing a curatorship in the Czech Republic. The project will take place in the course of year in the form of debates, lectures and a conference presented in the culture factory Armaturka in Ústí nad Labem.
The project starts with the exhibition Start Up Position presenting a curator’s play and harmony over contemporary art. The selection of artworks defined by a simple clue – new perspectives of medium and form, guided by the curators Lenka Sýkorová and Romana Veselá who have a clearly decided and easily distinguishable area of their interest, will be supplemented two weeks later with Karina Kottová’s point of view focused on making exhibitions’ and artworks’ mediation to a viewer more intensive. Jan Krtička will take over the baton at the beginning of April. In his work he deals with overlaps into a curatorship.

artistsAleš Čermák, Viktor Valášek, Petr Malina, Markéta Jáchimová, Petr Dub, Johana Střížková, Jan Pfeiffer, Perkof Natalie, Michaela Spružinová, Jakub Cabalka, Fuksová Kristýna, Libor Novotný, Aleš Loziak, Jakub Červenka
curatorsLenka Sýkorová, Karina Kottová, Jan Krtička, Romana Veselá
placeGalerie Emila Filly
tags
castMarkéta Jáchimová, Lenka Sýkorová, Johana Střížková, Natalie Perkof, Michaela Spružinová, Libor Novotný, Aleš Loziak, Romana Veselá
cameraDominik Žižka
soundDominik Žižka
editingDominik Žižka
interviewDominik Žižka
translationAdéla Dörnerová
categoryReports
published8. 5. 2015
languageČesky / English
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Start Up Position
For a long time, I didn't know what to write about this exhibition. It has no theme, the exhibiting artists have nothing in common, and their selection is purely subjective—I selfishly decided based solely on which paintings I personally found remarkable. It was only yesterday in my studio that one of the artists told me about a curator who reproached her for not providing any key to her paintings.
Surrounding Fucker Sam and Sam83 Gallery there sprung up and operates a space for critical and free thinking covering a lot of activities. I follow the origins, meaning and the operation of the space in the first part of NJME.