animal 33 results

animal
Salka Tiziana
In the heart of Madrid a ravaged forest lays calm in the aftermath of the storm. Shepherds, sheep and dogs roam among the branches of uprooted trees. Above them, the city resounds with birdsong and underneath we hear the murmurs of the herd. Old walls, new barriers enclose this territory. At night its borders dissolve on the hilltop. Under a black sky the contours of its inhabitants emerge. The land rings out and the city glimmers. 
Ida Idaida
The 35m2 gallery presents two monumental works, two different environments. Both spaces are based on the same material context, the same material language. Yet each of these realizations appeals to different senses using different techniques and materials. These new spatial configurations, structures, and installations, which shape our spatial orientation and navigation through space, primarily appeal to our basic senses, our sensory memory, and our individual/private memory.
Martin Netočný
The Heron is a film about the Stromovka park, however, it is perhaps more about us, people, and the different activities we may pursue in city parks. It shows inexplicitly to what extent people are influenced by parks and parks by people. What role do parks play in our contemporary society, in our everyday lives?
Jesper Alvaer
Jesper Alvaer's videos in a compilation from 1999-2004 make up a compact unit following alike motifs and themes. The short films show everyday reality which the author designs or just simply records. They are related by matching the camera eye, a game in which a simple slit through the objective creates a new autonomous event.
Tomáš Mašín
The structure of the Tamagotchi video is based on the alternation of simple animations and texts. The animations remind us of early video games or simple computer games. For the texts he used the Chicago typeface which was designed for Apple Computer and was used between 1984 and 1997 in the operating system user interface. Unlike the main stream of Czech video making in the mid- 1990s, mostly based on performative elements or artistic unusualness, Mašín´s approach is radically different not only in terms of aesthetics but also conception.
Sissel M. Bergh
Artist Sissel Mutale Bergh describes her latest film, Elmie (2023) – a Southern Sámi word meaning sky, air and storm – as a documentary poem and a lamentation on air, breath, birds, mountains and wind power. For several years, Bergh has followed the construction of – and opposition to – industrial windfarms at Fovsen/Fosen in the southern district of reindeer herding at ÅerjelFovsen Njaarke Sijte.
Janka Vidová
Janka Vidová made one of the first videos as a spontaneous student´s work when she was studying in the studio of new media at the Academy of Arts in Prague. The dream-like atmosphere evoked by the choice of archetypal motives (walking in the snow, white rabbits, old people, an idyllic landscape at dusk) was further enhanced by period visual effects (polarisation, colour manipulation, slow motion) and by music.