Reports

Jindřich Chalupecký Award 2021

An international jury composed of representatives of leading international art institutions, including Ivet Ćurlin (Kunsthalle Wien), Anna Daučíková (artist and educator), Charles Esche (Van Abbemuseum, Eindhoven), João Laia (Kiasma Museum of Contemporary Art, Helsinki), and Jan Zálešák (curator and educator), selected from nearly 90 portfolios submitted by artists presenting their work on the contemporary Czech art scene. "We appreciated the quality and diversity of the submitted portfolios and their broad scope in terms of geography, gender, and identity. We welcomed the intertwining of artistic and activist positions. We also noted a significant inclination toward various forms of collaboration across the art scene. The authors often addressed highly relevant issues such as the re-evaluation of gender and national identities, feminist and queer positions, and the questioning of the late capitalist status quo. The artworks also sensitively addressed ecological themes and demonstrated an understanding of the need to find balance in unstable ecosystems, which they viewed from a holistic perspective that transcended the dichotomy of living and non-living, human and non-human," the jury summarized.

artistsRóbert Gabriš, Jakub Jansa, Anna Ročňová, nekolektiv Björnsonova, Valentýna Janů
curatorsVeronika Čechová, Karina Kottová, Tereza Jindrová, Barbora Ciprová
placeMoravská galerie
tags
castVeronika Čechová, Karina Kottová, Tereza Jindrová, Barbora Ciprová
cameraMilan Mazúr
soundMilan Mazúr
editingMilan Mazúr
interviewMilan Mazúr
playlistsJindřich Chalupecký Society
categoryReports
published14. 1. 2022
languageČesky / English
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Jindřich Chalupecký Award 2021
Kateryna Khramtsova filmed a short documentary about a non-binary performer and soldier entitled Qirim (2023), which has been screened at many film festivals, both here and abroad. In the accompanying essay, Kryštof Kočtář presents the film in the context of Khramtsova's artistic work.
How do bodies queer at the molecular level? How is this queering inextricably tied to industrial capitalism? And is there a way out of capitalist ruins, one that has been further exacerbated by the pandemic?