Discussions

Eye in the Sky, Fotograf Festival #7 discussion

Blurring the distinctiveness between images of the real and the virtual world shifts the question of the plausibility of a photograph even further. The defenceless pixels of the images involved in advertising and election campaigns, images used as proof in an online article, or digital records archived for security purposes are easier to edit than their analog predecessors. By combining the appropriate graphical design with an image, not only do artists seem to bring (perhaps) an actual message, real research, or a trusted pre-election survey. The questions of how to manipulate the contemporary virtual reality, behind what facade the most sensitive data are hiding, and why is it important to let yourself be fooled by the same techniques as the advertising industry, will be discussed by a member of the Dutch group Metahaven (Daniel van der Velden), the Russian artistic duo eeefff (Dzina Zhuk & Nikolay Spesivtsev), and the Czech experimental and graphic studio Parallel Practice (Jan Brož and Michal Landa) with German performer and journalist Sabrina Apitz as the moderator.

placeDUP39
tags
castvan der Velden Daniel, Jan Brož, Vinca Kruk, Michal Landa, Dzina Zhuk, Sabrina Apitz, Nikolay Spesivtsev
cameraMartin Vronský
soundMartin Vronský
editingMartin Vronský
categoryDiscussions
published16. 10. 2017
languageČesky / English
embedlink icon
arrow down
related
Eye in the Sky, Fotograf Festival #7 discussion
Tereza Stejskalová is one of the most prominent feminist and critical voices on the Czech art scene. At present, she works as a curator in the initiative tranzit.cz and in the long term focuses on art critique.
As a curator, Stejskalová often works through postcolonial and feministic prism and her curatorial practice is typically an outcome of a long term research.
The project Bellevue di Monaco takes place in several buildings in the centre of Munich. The buildings were supposed to be demolished in order to build new luxury apartments there. However, the plan was thwarted by a group of activists and their guerilla reconstruction of one of the flats. Consequently, the migration crisis in 2015 incited the foundation of an official cooperative involving several hundred local residents who rented the houses and turned them into a multifunctional centre.