Lectures

Gesturing Towards Decolonial Futures

 Gesturing Towards Decolonial Futures is a collective working at the intersections of systemic violence, colonial denial, ecological unsustainability, and the difficult labour of relational repair. Its members, Dani Siwek and Camilla Cardoso, discuss the importance of art and transformative education in the face of the current ecological, social, and spiritual polycrisis.

What is the methodology of “depth education”? What does the “transformative” mean for our thinking and as a practice? Why turn to art for questions that are difficult to face - and how can we hold space for things to breathe and grow, even if we do not yet know what they are?

This discussion/short film is a contribution to the exhibition of Eva Koťátková: The heart of a giraffe in captivity is twelve kilos lighter curated by Hana Janečková for the Czech representation at the 60th Biennale di Venezia 2024, in collaboration with Himali Singh Soin & David Soin Tappesser (Hyzoloic/Desires), the Gesturing Towards Decolonial Futures collective, Kateřina Žák Konvalinová and Jiří Žák, Denisa Langrová and Alex Sihelsk*, Sára Märc, Maja Štefančíková and groups of children and older people. 

 

Concept: Dani Siwek and Camilla Cardoso (Gesturing Towards Decolonial Futures), Eva Koťátková, Hana Janečková

Illustrations: Eva Koťátková

tags
castDino Siwek, Camilla Cardoso
soundMarie Čtveráčková and Martin Hůla
editingDavid Přílučík, Kristýna Bartošová
categoryLectures
published5. 2. 2026
duration0:24:24
languageČesky / English
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Gesturing Towards Decolonial Futures
The author considers the video as a part of the decolonisation process within the framework of the history of Czechoslovak cinema. His conceptual method of work is based on the deconstruction and re-interpretation of original scenes from Czechoslovak films, e.g. Křik (Jaromil Jireš, 1963), Jak básníci přicházejí o iluze (Dušan Klein, 1984) and Dědictví aneb Kurvahošigutntag (Věra Chytilová, 1992). All these films feature stereotyped black characters.
This lecture examines the development of mass Palestinian displacement as a weapon of war, a tool of state-building, and a tool for enforcement of particular visions of imperial internationalism. It traces how Palestine became the site for the development of a specific modern refugee regime focused on decolonial containment, a process that continues to the present day.
The alibi of the Czechoslovaks, which historically exempted them from responsibility for the era of European colonialism, is seriously undermined if we take a closer look at some episodes of Czechoslovak history and if we revise the attitude that Czechoslovak citizens took towards colonies and their people and what orientalizing ideas they created. This attitude certainly does not apply only to non-European people and cultures, but also within Europe itself, as Vobořil demonstrates in his work.