Reports

Black and White in Photography

This exhibition is the first sizeable retrospective of Radek Brousil (born 1980), graduate of the Studio of Photography at the Prague Academy of Art, Architecture and Design and winner of the Oskár Čepan Award. While it is anchored in the medium of classical photography, Brousil’s output also embodies a polemic with the technologies of the standard treatment of photographic image as regards the various aspects of capturing the dark hues of the human skin. Brousil develops this particular subject in a photographic series, in a style evoking inspiration by Josef Sudek, of sculptural portraits of black Africans by the distinguished Czech explorer and sculptor, F.V. Foit. The latest of these photographs, which will be shown at Prague City Gallery for the first time, exemplify a crossover to the medium of sculptural object, echoing not only the impact of the colonial era, but relating also to the Baroque statuary of Ferdinand Maxmilian Brokoff located along Prague’s Royal Route, passing by the Colloredo-Mansfeld Palace to Charles Bridge and beyond, to Nerudova Street.

artistsRadek Brousil
curatorsSandra Baborovská
placeGHMP - Colloredo Mansfeld
tags
castSandra Baborovská, Radek Brousil
cameraMilan Mazúr
soundMilan Mazúr
editingMilan Mazúr
interviewMilan Mazúr
translationZuzana Rousová
categoryReports
published1. 3. 2017
languageČesky / English
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Black and White in Photography
The author considers the video as a part of the decolonisation process within the framework of the history of Czechoslovak cinema. His conceptual method of work is based on the deconstruction and re-interpretation of original scenes from Czechoslovak films, e.g. Křik (Jaromil Jireš, 1963), Jak básníci přicházejí o iluze (Dušan Klein, 1984) and Dědictví aneb Kurvahošigutntag (Věra Chytilová, 1992). All these films feature stereotyped black characters.