Profiles

Kit Reisch

The American artist and former resident of the studio programme at MeetFactory is a figuralist who ingeniously hides his figures from the viewer. Kit Reisch creates half-revived sculptures, a kind of kinetic figure – portraits of differently stricken beings and creatures. They are hidden in forms intended for inanimate objects rather than for a human body. Cases and containers partially cover the face of the one
portrayed, but paradoxically reveal other bodily organs and parts that give away different secrets about the figure.

Dušan Zahoranský

 

Kit Reisch (* 1986) was born in Texas (USA) and now lives and works in Prague, Czech Republic. He combines real objects in his work and situates them in artificially created contexts. Mixing objects and digital media, he creates works that exist in a fictitious but plausible reality. He experiments with how far he can change an object without changing it so much that it can no longer be recognised as what it was.

Reisch moved to the Czech Republic in 2009, to observe the parallels of social and racial issues between his native state of Texas and this former Eastern-bloc country. As such, he is interested in how both visual and verbal language shapes the attitudes of a particular place. Architecture, the most readily accessible form of a culture’s collective visual language, has steadily been introducing itself into his work.

 

 

artistsKit Reisch
placeMeetFactory
tags
castKit Reisch
cameraRuiz De Infante Jon, Pérez Picazo Iñigo
soundRuiz De Infante Jon, Pérez Picazo Iñigo
editingLara d'Argento, Ruiz De Infante Jon, Pérez Picazo Iñigo
interviewLara d'Argento
categoryProfiles
published27. 6. 2012
languageČesky / English
embedlink icon
arrow down
related
Kit Reisch
Alex constructs and, in turn, deconstructs a fluid identity that defines itself through ephemeral contributions, the power and anxiety inherent in the possibility of breaking down the boundaries between subject and object. Bold yet light-hearted, we trust the work unreservedly for its emotion and the vulnerability of the artist’s personal input.
The exhibition Late Intimacy responds to the pressure to disclose private matters that intimacy currently faces. This pressure is evident in both the mass media and social networks, which are programmed to exploit our need for social acceptance and reward, and is also present in the hidden monitoring and analysis of our behavior in physical and digital space. We are increasingly aware that the ultimate goal of this pressure is to obtain material that can be exploited for commercial or political gain.
Ladislava Gažiová is a painter, curator and activist from Slovakia and has been living in Prague for some years. Her early work is characterized by the inspiration of graffiti, using of stencils and sprays, and work with social topics. In recent years, however, Gažiová has been focusing on curatorial work, in which social themes, particularly the topic of the Roma minority, are at the heart of her work.
Brood – Stranger’s Vial – Womb is a “game that has forgotten its own rules” and “a story without an ending.” Instead of a clear, linear fantasy, it offers a fantasy space that we view through several layers of material and media abstraction. It makes everyday objects and (in)human identities special. It invites us to notice the affects of humanity in the midst of the climate crisis, which can only be glimpsed through peripheral vision, somewhere at the edge of gilded metal. Just beware: The sides will be reversed.