architecture 175 results

architecture

"The installation of the exhibitions will be entrusted to the artists. I see it as a second choice besides the fact that artists teach. "
In the course of the 1990s Jiří Příhoda experimented with video-projections and became known as the first artist on the Czech art scene expressing himself through sculptural-architectural transformations of exhibition spaces.
Permanent change is the only constant in life, claimed already Heraclitus, and today’s reality seems to confirm his vision of a world in flux. Architects therefore try to distinguish between what appears lasting in their discipline and what is transient and fleeting. But can we speak of metamorphosis as the “essence” of architecture? Can the never-ending cycles of transformation ensure the regeneration of architecture after cycles of crisis?
Barcelona-based studio focuses on finding a balance between raw material aesthetics, history, and high energy efficiency.

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Swiss architecture theorist Philip Ursprung will have a dialogue with French architect Anne Lacaton, a Pritzker Prize winner from 2021. They will discuss forms of freedom in architecture and selected projects of the renowned studio Lacaton & Vassal.
The lecture will guide you through a heterogeneous series of projects that are developed by associative thinking. Historical precedents mix up with everyday references, generating designs that aspire a densely layered and surprising character.
The colony in Ostrava called Bedřiška has belonged among the so-called socially excluded localities for a long time. However, Bedřiška does not show any features that most probably come to your mind when we speak about excluded localities. The people are happy to live there, they regard the place as their home and they try to keep their houses as well as public spaces in good order and tidy.
The output of that research varies from works in the public space and architectural structures to sculptures and smaller work. Within this undefined area, the duo developed a practice that thematizes the friction between function (architecture) and autonomy (image) in an increasingly emphatic manner, and is centered around the central question: at what point does the daily experience of space turn into an aesthetic one?
In their designs, 6a deals with the reuse of already existing elements or what is at hand on site. However, it is not only their aim to reuse old buildings or their materials, but to also recycle the stories that support the emergence of a new authorial approach.
At BC architects & studies we believe that, in order to have a positive impact on society through the discipline of architecture, we not only need to focus on the design of its infrastructure, but also on redesigning the process of generating infrastructure. We’ll need to experiment with the role that each member of a community plays in the act of building. For us, a narrow definition of the professional architect no longer suffices
The strategies used by art in public space include a broad range of artistic approaches. Art can show us more environmental and ethical ways of treating one another. It can offer an opportunity for collective participation and self-expression, for reflecting on history, and for community dialogue. It can influence our social, spatial, and political topologies by promoting new social models or designing and improving the physical infrastructure. However, it can also legitimize economic or political interests that are not beneficial to the general public.
The lecture from the new series Constructions introduces Swiss structural engineer and professor of structural design at ETH Zurich Joseph Schwarz. He speaks about his projects in collaboration with architect Christian Kerez and others.
The mini-symposium “Bauhaus and Functionalism” examines the reception and interpretation of the emergence of Functionalism in Czechoslovakia in the interwar period and connections with Bauhaus in Germany. The leading theorist of the modernist avant-garde Karel Teige and his teaching at the Bauhaus are ideal examples of networking between these countries.
Rotor is a cooperative design practice that investigates the organisation of the material environment. They develop critical positions trough research and design. Besides projects in architecture and interior design, they also produce exhibitions, books, economic models and policy proposals. Rotor was founded in 2005. Today, a core of about a dozen long-term collaborators sets the agenda of the group.
Two lectures by landscape architects present possible ways of transformation of greenery in cities. Tom Muller talks about a climate-proof, sustainable, manageable and biodiversity-supportive process that is embraced by the public. Štěpán Špoula presents projects and strategies aimed at a river in the city.
The lecture by the internationally known Ukrainian artist Nikita Kadan at the Academy of Fine Arts was introduced and accompanied by a debate with the Russianist and semiotician Tomáš Glanc. Kadan lives and works in Kiev. He works with various media, including installation, sculpture, painting and collage.
The May lecture from the Land/Scape series featured New York landscape architect Michelle Delk from Snøhetta and Swiss landscape architect Thomas Kissling from VOGT Landscape Architects. The topics were inspirational places for contemporary life, the connections between people and their surroundings, and water in the landscape.
Former Dutch government architect Liesbeth van der Pol lead the discussion together with architect Viktória Mravčáková from the Slovak organization Spolka. They discussed the durability and if the architecture today lead or do not lead to sustainable environment.
The project Bellevue di Monaco takes place in several buildings in the centre of Munich. The buildings were supposed to be demolished in order to build new luxury apartments there. However, the plan was thwarted by a group of activists and their guerilla reconstruction of one of the flats. Consequently, the migration crisis in 2015 incited the foundation of an official cooperative involving several hundred local residents who rented the houses and turned them into a multifunctional centre.
Tom Balsley (SWA/Balsley) is a renowned architect with a wealth of experience based in New York. He has been transforming social and cultural spaces into sustainable and vibrant urban landscapes for over 35 years. In New York alone, he has completed more than 100 parks and squares.
Architect and investigative journalist Alison Killing presents the results and methodology of the research on mapping detention camps for the Uyghurs other Muslim minorities in China, for which her team was awarded the Pulitzer Prize in 2021. The project uncovered details of the mass detention of these groups in so-called “re-education” camps, which the Chinese government officially denies or downplays.
How and why the 4AM Forum for architecture and media was founded and how do its members see its management? How did their priorities change since the start, how can one finance organization, such as theirs and how do their plans and orientations evolve?
How and to what extent can we understand the land, and what do we all know and not know about it? To whom does it belong, and how do we change it, for better or worse? How can we express and capture in human, rather than statistical, terms, both the visible and invisible transformations that the land undergoes, both locally and globally, with regard to the entire biosphere and climate?
Diener has a long-term interest in the reconstruction of monuments and is a member of several foundations and commissions dedicated to this topic. The studio’s main projects include, for example, the completion of the eastern wing of the Natural History Museum in Berlin or the local Swiss embassy.
MSA is a Brussels based office involved in many kinds of projects, from the design of public space to the elaboration of masterplan for larger territories. In May 2017, MSA has received the MIES AWARD 2017 in the category „emerging architect" for the realization of a small social apartments building localized on a plot to seemed impossible to be built.
Mouton is active in designing structures and supporting structural studies, with a strong emphasis on architectural projects. The philosophy of the engineering office is that structure must be seen as a part of the architecture and – like architecture – has to be designed. Moreover, it is often the case that the structure is inseparable from the architecture and structure plays a prominent role in the perception of the design. The ambition is to develop – for every project again – a strong structural concept and – as doing so – to help shaping the design.
The traveling exhibition Rituals of Solitude, conceived during the global lockdown, explores the spread of fake news, the reversal of the traditional relationship between private and public space, the paradoxical rituals that populate homes, the ways in which visual technologies are domesticated into tools of self-presentation and connection, the accumulation, fetishization, and display of objects in home interiors; and, in addition, the states of loneliness that arise as a result of forced isolation.
In the lecture Dubravka Sekulić focuses not only on what and why needs to change in architectural education in an effort to make a discipline more equitable, but also on how this change can happen.
At a moment of digital ubiquity, it may be easier to treat the data from digital platforms as primary in contemporary innovation and to believe that, if coated with sensors in an internet of things, the stiff, dumb world will suddenly become responsive and “smart.” But the heavy lumpy components of space are themselves information systems that don’t really need digital devices to make them dance.
They are often presented as condescending patrons of arts, who have decided to put aside a couple of their millions and contribute to public welfare and the promotion of exquisite culture. However, their seemingly good intentions should be seen with view to the context of the troubled political and economic past of our (and not only our) country. We should know how they acquired their property and what social or ecological damage they caused while amassing their fortune.
Kader Attia deals with colonial and post-colonial history and sensitively unfolds the complicated and “imbalanced” relationships between the Western and non-Western world and their mutual cultural, political, social, and technological exchange. One of his interests is architecture and the setting it creates with its spatial and political dimension. Using modern architecture as a critical example of an – often – malfunctioning living environment is an occurring subject of Attia’s work.
Why did Jarmila B. disappear? And why should we be interested in it? Jarmila B. was a ceramist, who did not leave any interesting art work behind, only many rather messed up projects and involuntary, unexceptional compromises. What really matters is what she did not create – her radical visions, which are captured in her diaries (and which bear a striking resemblance to projects of some radical conceptual artists and performances of contemporary artists). In a way she was ahead of her time.
Since 2017, 51N4E is part of the incubation of new use in the monofunctional Brussels’ North District. Together with others, they housed for two years in the emblematic WTCI & II towers and currently in the nearby CCN building. In parallel, they were chosen as architect for the new project of the ZIN project, an adaptive reuse project turning the monofunctional WTC towers into a mixed-use development.
The drone integrates functions of a vehicle intended for destruction, razing urban communities and assassinating from the air, with those of a reconnaissance and artifactual tool which has resurrected interest in contaminated and exclusion zones inaccessible or dangerous for human intervention. Furthermore, it has exhibited its potential as a habitat builder, and proved its capabilities for land and real estate surveying, gathering data and visuals that are amenable for market-end purposes.
The lecture, entitled Let it pop, focuses on the spaces that create a diverse life in which our social bubbles can pop. The lecture presents the last duo of the cycle Dialogue – the Dutch architect Kamiel Klaasse together with the Czech promoter of architecture Adam Gebrian.
In her exhibition designs she lays emphasis on simplicity, moderation and compactness. They do not hesitate to include also striking or unsettling elements. However, according to them it is essential that the design of the exhibition does not overpower or overshadow the exhibits but it must become their partner. They also believe that the installation may contribute to the interpretation of the displayed art works. It is equally important for them that the exhibition design is created in a mutual dialogue between all the people involved.
The film shows the house of Čestmír Suška and Naďa Rawová, where one of the first unofficial symposiums took place in July 1980 and which was soon followed by others (Netvořice 81, Mutějovice 83 and others). This led to a series of Confrontations (1984–1987) – exhibitions of the youngest generation of artists.
Dominik Lang has been involved in exhibition design for a long time. However, unlike other artists, his approach differs in the degree to which he emphasizes the creative aspects of the profession. The result often oscillates between exhibition design and autonomous installation while he himself admits that he deliberately violates this boundary. For this reason, he prefers the term "author of the exhibition's artistic design" or "author of the spatial design".
Hungarian architectural historian and pedagogue Ákos Moravánszky speak at the lecture entitled Flows of ideas, flows of matter, together with the prominent Swiss architect and theorist Andre Deplazes, co-founder of Bearth & Deplazes Architekten. It outlines the transformation of ideas and forms in architecture.
The video of Milena's song works within the theoretical background of contemporary feminist thinking, namely with the legacy of cyberfeminism, which was formulated in the early 1990s by British feminist and cyberculture theorist Sadie Plant. Cyberfeminism grants emancipatory power to modern technology, but only as long as all people can access it, regardless of their class status, religious beliefs, cultural identifications, sexual orientation and/or gender.
The lecture entitled Footbridges and Bridges will present the latest projects of progressive and subtle constructions by the architect and structural engineer Petr Tej and Eugene Brühwiler.
Ideally architecture is not about fixing activities, fluxes or programs, or worse, about solving spatial problems. On the contrary, it is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation in time, of a programmatic conflict. It is about dealing with uncertainty, about enabling different and unforeseen scenarios. In that sense, architecture and urbanism are not opposed disciplines with different outcomes, but similar mediators, on different scales and in different degrees of complexity, with the same goal of enabling life.
Rather than an exhibition, it is an authorial environment – architecture within architecture. The vision for this solution is based on the motif of an island, a changing landscape, lithospheric plates, and the story of the mill complex itself. The basic conceptual framework creates space for collective and individual multi-genre artistic and curatorial work.
VI PER Gallery focuses on architecture in the broadest sense, together with its relations and points of intersection with contemporary art, urbanism, design and media, as well as the political, legal, social, economic and ecological contexts which help to shape architecture and the built environment.
The departure point for “Prompted” is a shared fascination by the three invited artists and the curator for spaces of ambiguity opened up by aural works. The works selected for each of the artists configure the contrast that exist between an authorial voice framing an artistic experience and images recorded simply with live recording and surround sound.
Jürg Conzett is a Swiss civil engineer mainly known for designing bridges. After studying at ETH Zurich and working for the architect Peter Zumthor, he started his own engineering office in 1988. It is now known as Conzett Bronzini Partner AG. Conzett’s most famous project is a series of three pedestrian bridges, located on the Veia Traversina trail of the Viamala in Switzerland.
Gideon Boie is an architect and philosopher and a founder of the BAVO collective. He lectures on the ethics and theory of architecture at the Faculty of Architecture of KU Leuven in Brussels, and his work focuses on the political dimension of art and architecture.
An Fonteyne, Jitse van den Berg and Philippe Viérin are interested in the traditions of architecture, the potential that comes from familiar and ordinary settings and the possibilities that emerge from translating these ideas through construction and the employment of material. A meandering walk following thoughts, sketches, projects and buildings will explore the affinity the architects have with literature, visual arts and politics.
The legacy of the garden.
The legacy of the Kafka studio.
The legacy of architectural statues.
The legacy of figural sculpture.