Reports

Towards A Black Testimony, Part 2: Terrain

Towards A Black Testimony, Part 2: Terrain, an exhibition project that examines the notion of Black Testimony through facilitating caring networks and artistic dialogue across Black diaspora. Exploring multiple ways of relating to Black artists’ personal experiences, it critically addresses the issues of visibility, representation and participation of Black people at Czech art institutions.

Towards a Black Testimony is an ongoing project by the London-based artistic and curatorial duo Languid Hands. Using the film Towards A Black Testimony: Prayer/Protest/Peace as both artwork and curatorial note, the project brings together artists, thinkers, writers, listeners and speakers to respond to the ideas in the film and to explore the complexity of Black testimony through their own experience. The four part iteration at Display, Prague engages the practice of Black artists in the Czech Republic as a response to the film.

An important part of the project was Part 1 Orientation – an online screening of Rabz Lansiquot’s filmwhere did we land (2019)and the residency of two Afroczech artists, Natalie Perkof and Yvonne Vácha at MeetFactory. For Part 2, this exhibition includes their work from the residency, which can be viewed as a response to the themes of Towards A Black Testimony: Prayer/Protest/Peace, their meeting as artists, and to ongoing dialogue with Languid Hands. In a new moving image made by Natalie Perkof and Yvonne Vácha, the Senegalese dance becomes a tool for enacting a collective shared memory.

Hana Janečková

artistsLanguid Hands, MELANINKIDS, Perkof Natalie, Yvonne Vácha
curatorsLanguid Hands, Hana Janečková, Zuzana Jakalová
placeGalerie Display
tags
castNatalie Perkof, Hana Janečková
cameraJiří Žák
soundJiří Žák
editingJiří Žák
interviewJiří Žák
categoryReports
published19. 4. 2021
languageČesky / English
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Towards A Black Testimony, Part 2: Terrain
Surrounding Fucker Sam and Sam83 Gallery there sprung up and operates a space for critical and free thinking covering a lot of activities. I follow the origins, meaning and the operation of the space in the first part of NJME.
In the poetics of identities, it is important to return to a certain point of zero, which is also a breaking point. My self is breaking through certain limitations and constantly fighting against itself. It is always in the process of becoming, and this process is always accompanied by a certain disjointedness. I am nobody and at the same time I am everybody. I belong to the anywheres, to those who are at home everywhere and nowhere at the same time. I don’t know if that is a reason to be sad.